From the Valley to the Crest

From Valley to Crest
Afternoon light and haze, clearing storm clouds, eastern Sierra Nevada

From Valley to Crest. Eastern Sierra Nevada, California. August 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Afternoon light and haze, clearing storm clouds, eastern Sierra Nevada

In early August I was (of course!) once again in the Sierra for several days. This time the main event was to be a short backpacking trip with long-time back-country friends — a “taking it easy” trip to a beautiful group of lakes in the Rock Creek drainage. Our plan was to meet on at the trailhead or on the trail, to do the short hike to a central lake, set up a base camp, and relax and explore for a few days.

I decided to head up early, partly to have a bit of time to adapt the elevation, but also to do a bit of photography. (My backpacking partners were more “normal” people — not “abnormal” photograph-obsessed folks like me!) Arriving in the Yosemite high country at noon on a Friday in August, I did not spend much time at all trying to find a campsite there, instead heading straight over the crest and down to a less crowded spot. With camp set up, it was time to go make some photographs. Taking advantage of my east side location, I decided to head south a short distance along US 395, where I could find beautiful vistas of high desert terrain rising to the crest of the Sierra Nevada, augmented on this day by dissipating storm clouds and a bit of haze from early season wildfires.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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A Photograph Exposed: Technique and Interpretation in Post

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Island and Trees, Tuolumne River
“Island and Trees, Tuolumne River” — Trees grow on a small ,rocky island in the Tuolumne River, Yosemite National Park

If you follow this website you may have seen this photograph before — it is one of two that were the subjects of an earlier article (“A Photograph Exposed: One Subject, Two Compositions“) focusing on compositional decisions I made when I photographed this Sierra Nevada subject. In this companion article I want to look at the next step — going from that original exposure to the final (at least for now!) interpretation of the subject that you see above, and the how and why of post-processing the image.

For me, post-processing is as much a part of the creative process of photography as is composing and making the exposure. In fact, many of the decisions that I make at the time of exposure anticipate what I may do during the post-processing stage. These decisions recognize that the camera does not “see” the same way that we do, and that simply trying to produce an exposure that looks the exactly like the actual scene is often both hopeless and counterproductive.

Continue reading A Photograph Exposed: Technique and Interpretation in Post

Pine Trees, Morning

Pine Trees, Morning
A small grove of high elevation pine trees in morning Sierra Nevada light

Pine Trees, Morning. Sierra Nevada, California. August 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small grove of high elevation pine trees in morning Sierra Nevada light

Although I visit the Sierra frequently, it has been some time since my last real backpacking trip and even longer since I last me up with my “Talusdancers” friends. The Talusdancers go way back — to a time about two decades ago when a loosely organized group of us began joining regularly for Sierra backcountry trips that ranged from a few days to longer than a week. In early August I had the opportunity to get these things back on track, with a three-day backpack trip in the eastern Sierra with three of the old gang. I arrived before the others, was on the trail by mid-afternoon, and had set up camp and was fixing dinner before the sun set. My friends apparently got to the trailhead much later and didn’t start hiking until about 6:00 PM. As the sun was setting I heard the “holler” of my friend Owen coming from across the valley, and I yelled back to let him know I as there. They soon arrived, and I can report that there are few things more wonderful that meeting up in the backcountry with good friends you have not seen for some time!

Our camp was on a rise above the shore of a sub-alpine lake, a very familiar Sierra Nevada setting. Beyond the lake to the west the terrain rises, past more lakes and thinning trees, into the alpine zone, and eventually to Sierra crest peaks and ridge lines. To the east there was a long valley with several more lakes, ending at a drop off between the descending canyon walls, and in the far distance we could see the high desert of Owens Valley and even further off the line of the White Mountains. We camped in the midst of an open grove of small, high-elevation lodgepole pines, common Sierra trees, but always beautiful in the early morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Store Window Display

Store Window Display
Motion blurred photograph of a Chinatown store window display

Store Window Display. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Motion blurred photograph of a Chinatown store window display

Part of what I enjoy about night photography is the way that the environment is transformed and how I often have to resort to “seeing as the camera sees” more than seeing as I see in the dim light. The camera sees better in low light, it can pick up colors that fade almost to monochrome in nighttime human vision, and it can “see” things like blur motion with longer exposures.

For a few minutes on this evening I decided to play around with long exposure blur. Instead of keeping the ISO high so that I could use short shutter speeds in the low light and stop motion, I lowered the ISO and intentionally selected smaller apertures and very long shutter speeds. Then I used the combination of subject motion and intentionally moving the camera myself to create abstractions. It may hardly matter, but the subject here was a store window full of colorful lanterns.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.