Coastline, Dusk

Coastline, Dusk
Coastline, Dusk

Coastline, Dusk. Big Sur, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light falls across the rugged Big Sur coastline, California

This was a very special bit of end-of-day light. Earlier we had spent about nine hours driving south between Monterey and Piedras Blancas on the Big Sur coast, stopping frequently along the way to make photographs of the beautiful winter light. At the southern end of our drive we spent time photographing the elephant seals at their “nursery” alongside the road – a popular place for observing this amazing creatures, especially at this time of year when the females are giving birth and the beach is crowded with all sorts of elephant seals: bulls, females, new babies.

Finishing here, it was time to turn the car north again and head back the way we had come. We started up the Pacific Coast Highway and very soon began the first climb into the coastal hills. We kept an eye out for potential gold hour photographic subjects. There are, of course, no shortage of them along this spectacular coastline, so we figured that we would find something no matter where we were during the last hour of light even though we had no specific plan yet. Eventually we came to a place where we had stopped earlier on the southward drive and we pulled off. Earlier, closer to the middle of the day, the light had been very bright here, illuminating coastal haze and reflecting off the ocean surface in a way that reminds me of molten metal. But now the light was lower and coming in at a more direct angle, and the atmosphere softened and the colors warmed in the late-day light. At first the light was more intense and I made a few photographs with the scene brilliantly colored. At one point I looked away to photograph something else, and when I looked back the sun had dropped behind a semi-transparent band of clouds near the horizon, significantly muting the brightness and color of the light on the base of the hills, but still leaving a few intense spots higher up.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks, Sand, Wood

Rocks, Sand, Wood
Rocks, Sand, Wood

Rocks, Sand, Wood. Death Valley National Park, California. December 12, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Colorful detritus of rocks, sand, and wood along the desert floor of Death Valley National Park

Death Valley National Park is landscape on the gigantic scale and a landscape of extremes. Elevations range from below sea level to over 11,000′ At the right time of year you can stand in 90 degree or hotter temperatures in the lowest place and look up to see snow on the highest peaks. It is well-known that the heat and aridity are extreme. The scale of the place is stupendous. When I first traveled in the park it reminded me, perhaps in a surprising way, of monumental landscapes that I had seen in The Yukon and Alaska, where the land seems to go on farther than one can see. Because there is so little vegetation, the geology of this desert landscape is laid bare, and rugged strata are easy to see.

But there are also surprises right underfoot. At the right time during the right years (and this photo was not made at such a time) small plants and wildflowers emerge and insects and other small critters can be seen. Some of these intimate landscape scenes seem more mundane, but they also tell stories worth hearing. This small patch of earth is at the base of some small, eroded hills along the east side of Death Valley where I have stopped from time to time. It is not an obviously special place – there is no parking lot or sign. The first time I went there to photograph in the evening I looked down and noticed the dense collection of multi-colored rocks, dead plants, and sand, and now when I go back there I seem to always end up looking for the same thing. The curving bit of dried wood was once a plant eking to a life at the edge of the main valley. These rocks are likely evidence of the surprising role that water plays in the formation of this landscape, having been washed down from those various strata and formation high in the Amargosa Range, leaving traces of blue, pink, purple, tan, and green minerals. And below and mixed in with all of this is the omnipresent sand, deposited and moved to and fro by Valley winds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lake and Rocky Peninsula

Lake and Rocky Peninsula
Lake and Rocky Peninsula

Lake and Rocky Peninsula. Kings Canyon National Park, California. September 12, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Smooth water behind a small rocky peninsula reflects clouds above a high Sierra back-country lake, Kings Canyon National Park

We stopped at this small lake along the route to and from our destination during our September 2013 nine-day photographic excursion into the high Sierra back-country of Kings Canyon National Park. Between the trailhead and the 11,000′ basin where we camped for nearly a week, there was a 15+ mile hike, two near-12,000′ passes, and a final climb of well over a thousand feet – too far for our party to travel in a single day. So we ended up making a stop here on the inbound and outbound trips. This is a view a few steps away from our campsite near the outlet stream.

My previous visit to this lake had been several decades earlier, back on my very first solo Sierra Nevada backpacking trip. That is a story worth its own lengthy post at some point, but the most striking point may be that I decided that my very first solo trip would be two weeks long! Given that solo backpacking may strike some as a stretch in several ways, a shorter first trip might seem more sensible – but in retrospect I’m glad that I went out for so long. After a few initial days of dealing with the expected “issues” of solo backcountry travel, I got past those concerns and have rarely felt as connected to the natural world as I did during the second half of that trip. At about that point I stopped at this lake on the walk between Bubbs Creek and Rae Lakes, and I recall the next day’s climb to the Pass, where I sat for a long time, in no hurry to leave or get to any place in particular.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn Light, Fog, Marsh and Tree

Dawn Light, Fog, Marsh and Tree
Dawn Light, Fog, Marsh and Tree

Dawn Light, Fog, Marsh and Tree. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early morning fog above a marsh briefly glows with pink dawn light, San Joaquin Valley

The winter season ends all too quickly here in California, and blossoms are already appearing on trees. Especially in this drought year, now is the time to enjoy the sights of the cool season – so when we had a chance to make another trip out to the San Joaquin Valley to chase migratory birds a few days ago we immediately changed our previous plans and headed out that way. We left shortly after 4:00 AM so that we could meet friends in the valley at 6:15 – well before dawn, but just in time to be ready for the potentially beautiful pre-dawn light, especially if it would turn out to be foggy.

And it did. Although the two-hour drive was mostly through clear conditions, perhaps 10 minutes from our destination we began to run into the typical Central Valley tule fog. It makes driving difficult… but it makes light wonderful! As soon as we drove into the area where we would photograph we could see that the ground-hugging fog was starting to glow in the pink pre-dawn light. Sometimes we hang out for a bit and chat before getting to work on photographing, but these conditions created a sense of urgency and we immediately moved on to look for subjects. Soon one of the members of our party stopped and headed across a bit of pasture towards the edge of a pond where the quiet water reflected the image of a solitary tree and the colorful sky. I soon joined him, and after he moved on I made a series of photographs of this scene. Photographs made a moment later in the sequence have more of a blue coloration, but for a brief moment the fog glowed pink-purple in the early light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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