Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Wall, After Rain, Night

April 20, 2014 G Dan Mitchell Leave a comment

Night photograph of the walls of an industrial building reflected in a pool of rainwater, Mare Island Naval Ship Yard

Recently I returned to the Mare Island Naval Ship Yard with my friends from The Nocturnes, a group of folks who focus on night photography. The Nocturnes have been photographing there for many years and the group forms a core of San Francisco Bay Area night photographers. Mare Island has become something of a mecca for night photography in the area, to the point that you can often find photographers shooting there in the dark and so that certain images from the location have achieved an almost iconic status. I first photographed there about a decade ago, and I’ve gone back at least a couple of times each year, to the point that I now have quite a few images of the place.

Having shot there so much, the way I approach the subject has evolved. At first, like anyone else getting to know the place, I focused on the well-known shipbuilding machinery—steel towers and cranes, dry docks, and so forth. Eventually, I began to look for other subjects, and I also began to understand the patterns of the place. Shooting on a full moon night is one thing, while shooting on a completely dark night another. Clear skies bring different opportunities than clouds. (I’m still waiting for a foggy night there!) More recently there have been changes to the area lighting on the island. The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. (Or at least it did. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) The weather is a major player, and it had rained the week beforehand. Because of this I was on the lookout for puddles and pools that might reflect the images of Mare Island structures, and here I found a very large puddle right in front of the wall of this large building.

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Stairs and Green Windows, Night

April 19, 2014 G Dan Mitchell Leave a comment

An industrial building with green windows and a shadow-casting staircase, Mare Island Naval Ship Yard

The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. More recently there have been changes to the area lighting on the island. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) While I have to agree with the goal of increased energy efficiency, many of us mourn the loss of those old, colorful light sources. The LEDs can produce light that looks almost like daylight in some situations!

The first thing that brought me to the general area of this photograph was a pool of bright light in front of it that I saw coming from a very bright light across the roadway. As I approached I saw the interesting old external staircase, a subject that I often find interesting at Mare Island, and the complex pattern of shadows cast by the lights. I’m also a fan of the many large banks of windows in the buildings on the island. I’ve always assumed that the construction must have included so much glass so as to provide better interior light for these very large shop buildings. These windows are somewhat opaque, perhaps at least partially from age, and the lighter objects inside are only seen faintly through the glass.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dissipating Rain, Cottonwood Mountains

April 18, 2014 G Dan Mitchell Leave a comment

The last vestiges of dissipating afternoon rain showers fall over the Cottonwood Mountains, Death Valley National Park

I have written in the past, here and elsewhere, about how I “see”—which is a very complicated subject and one that I sometime struggle to explain. (Here I think of the quote attributed to Ansel Adams: “When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.” Those who know me may scoff at the possibility of the “silence” part of this, but still…) One aspect of my seeing, and one that I know I share with other photographers, is that I carry around a sort of mental library of visual bits and pieces, light and color and things that I want to see and, in fact, expect to see at some point. I am aware that some of these come from far back in my memory, and I can even associate them with experiences when I was quite young. One category of these “bits and pieces” has to do with curtains of rain falling across mountain ridges. When I was quite young, my family went on a drive to Southern California and on the way we drove across an agricultural valley, and still today the image I saw of rain falling in the mountains we were about to cross is still clear in my mind as is the magical impression that it made on my young mind.

So, in a sense, this is yet another working out of that category of subjects from the mental image library. These are very different mountains from those I saw so many years ago, but the them of semi-transparent sheets of rain falling in front of mountain ridges and obscuring the details is the same. These ridges are in the Cottonwood Mountains, a sub-range of Death Valley National Park’s Panamint Range. The rarely look quite like this, being a very arid, rugged, and austere desert range. But this was a day of rain (and snow!) and late in the day, as we photographed from an elevated location out in Death Valley, the weather began to clear and the clouds dissipated, leaving behind final backlit curtains of falling rain above the mountains.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Clearing Storm, Panamint Mountains

April 17, 2014 G Dan Mitchell Leave a comment

The remnant clouds of a spring storm clear over the snow-dusted peaks of the Panamint Mountains, Death Valley National Park

This was one of the most interesting and varied days I’ve spent in Death Valley, in terms of everything from the weather to photographic subjects. (It probably wasn’t the most varied day—that might be a story for another post sometime.) As is typical, the day began well before dawn with an early wake-up call and a long drive in the dark. In this case, the objective was to be at a high place with a panoramic view before sunrise. We arrived there in the early pre-dawn light to find that clouds were moving in. There was a brief moment of photographable sunrise light, and then the scene went relatively gray, though still with some interesting possibilities. As we left this spot we saw snow flurries on the peaks around us. We then photographed some old remnants of the mining activities in these mountains as the snow increased, at one point coming down fast enough that we decided to beat a retreat to a lower elevation. Intermittently things would clear a bit, and we took advantage of the soft light to make midday photographs of the abundant spring wildflowers.

Eventually the weather began to break up a bit and we had some sun. By this time in the afternoon what had been more or less universal cloudiness and snow in these mountains had transformed into scattered cells of precipitation, but mostly into beautiful blue sky interrupted by billowing, sunlit clouds, whose shadows raced across the high desert landscape. Here, as we returned from investigating what was at the end of a gravel back-country road and were about to return to the paved highway, we stopped to take one last look back towards the higher peaks of the Panamint Mountains.

G Dan Mitchell Photography

Wall, After Rain, Night

Stairs and Green Windows, Night

Dissipating Rain, Cottonwood Mountains

Clearing Storm, Panamint Mountains

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.