Community, Equipment, Site News

Questions from Readers (11/28/12)

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(Note: I made a major mistake in one spot in this post, suggesting precisely the opposite of what I meant. I have added a single WORD in bold upper case to correct the error. )

Blog readers occasionally email questions (and comments) to me. I can’t always reply personally to all messages, but occasionally I like to share some answers here, both for those who asked and for others who might have similar questions. Here is the latest edition – including a question about monitor calibration and printing, one about an older Epson 2200, and a request for more information about photographing in Death Valley.

Kent wrote:

“I am hoping you might be able to advise me on a problem. I have been having some difficulty getting my prints to match my computer screen. I have a Canon 5D Mark II, shoot in RAW and use Lightroom to process my photos. I have a IMac LCD screen, about 4 years old. I send my converted JPeg files to Aspen Creek for printing. I have contacted the experts at Aspen
Creek and they suggested monitor calibration software. So I regularly use Eye One monitor calibration but that doesn’t seem to help. I also work in a darkened room to minimize the ambient light.

Have you had similar problems? Have any ideas? I wonder if a higher end calibrated monitor wouldn’t help.”

This can be a complicated issue, but let me at least offer a few ideas.

I don’t know if this is the issue in your case, but it is important to realize that even a well-calibrated monitor will NOT present an image that looks “the same” as the image that gets printed on paper. There are some fundamental issues that differentiate images that are formed by projecting light from behind (they “glow!”) and images that are formed from ink/pigments, etc. that are illuminated from light that falls onto them. In general, I find that prints will seem to have less contrast and less intense colors, and will usually need to be brighter overall than the monitor might lead you to believe. In my view, a calibrated monitor gives you a consistent point of comparison, but you still need to learn to understand how to predict what your print will look like by comparison to what is on the monitor.

Continue reading Questions from Readers (11/28/12) →

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn Oak Leaves, Streambed Rock

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Autumn Oak Leaves, Stream Bed Rock - Oak leaves on stratified stream bed rocks, Zion National Park
Autumn oak leaves on stratified stream bed rocks, Zion National Park

Autumn Oak Leaves, Streambed Rock. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn oak leaves on stratified streambed rocks, Zion National Park

This is one of those photographs that is not what I was looking for when I made it. We had dropped into a narrow near-slot canyon in the Zion high country, and my thoughts were on photographing the sandy bed of the little canyon along with the steep and sculpted rock and the light reflecting onto them from the narrow strip of skylight above, or perhaps looking for branches against red sandstone. So as I walked up this little canyon and sort of but not quite saw those things I was becoming just a little bit frustrated photographically – the light was colored the way I had hoped, there were footprints in the sand from those who had hiked here before me, and the colorful branches of fall leaves were few and far between and often in places where I could not see a photograph. (Though, as always, I enjoyed the sensations of walking through such a place.)

As often happens, what I really needed to do was let go of my preconceptions about what I thought should be there and instead look around to see what really was there. As soon as I did this I began to look away from the larger-scale elements of the place and see some of the smaller things and how they might make photographs – a few leaves sitting on rock, some remaining ripples in the sand, and so forth. This bit of rock was sitting a foot or two higher than the stream bed and off to one side under some overhanging plants. Unlike most of the rock there, it was strongly stratified and it had a bit of a yellow cast in places. And a few of the yellowish/tan oak leaves were sitting on its surface.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Great Blue Heron Taking Flight

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Great Blue Heron Taking Flight - A great blue heron takes flight from a field at the Merced National Wildlife Refuge California
A great blue heron takes flight from a field at the Merced National Wildlife Refuge California

Great Blue Heron Taking Flight. Merced National Wildlife Refuge, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A great blue heron takes flight from a foggy field at the Merced National Wildlife Refuge California

To retell a story I’ve shared before, I’m a bit embarrassed to admit that despite living in California for decades I had barely been aware of the astonishing winter migratory bird population of the state’s Central Valley until a chance encounter with a colleague led to a “wild goose chase” trip into an area south of Sacramento not so long ago. Now I’m now officially hooked! I’m certainly no expert on these birds – geese, herons, egrets, and more – but I’ve become very interested in seeing and photographing them.

While returning from another trip last month I saw a flock of geese over the Central Valley, and was reminded that this seasonal migration is again underway. I resolved to try to get out there earlier this year, and I made my first trip a few days after Thanksgiving. I drove over Pacheco Pass through Los Banos, entered the valley fog, and headed out to the Merced National Wildlife Refuge, a place I’m starting to know rather well. The fog was even thicker when I arrived at the refuge, and I could hear a lot more birds than I could really see, though I did catch a faint view of a flock of white Ross’s geese through the murk at one point. Eventually the fog began to thin a bit, and here and there muted sunlight began to shine through. As I circled the refuge I saw this lone great blue heron standing in a field in this transitional light. Using my car as a blind, I stopped a ways back and used my longest lens to make several photographs as the bird mostly stood there. Bit by bit, I was able to edge the car forward and continue to shoot from the driver’s seat, eventually being roughly parallel with the bird. I stopped and shut off the engine and continued to watch and make more photographs. Eventually, the heron apparently got bored with me and lifted off to find more interesting company, and I was able to get a couple of shots as this impressive bird took to the still-foggy air.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Deals and Sales

B&H Cyber Monday Deals… Plus Ilford Paper Rebate

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B&H Cyber Monday – As I mentioned a couple of days ago, site-sponsor B&H Photo’s Black Friday through Cyber Monday deals are on through today. There are discounts on many products of all types, and additional special pricing on some Best Cyber Monday Deals.

Updates: B&H promises to send updates during the day today, and I’ll add some of them below as they arrive:

(You may need to actually add some items to your “cart” to see the lower prices.)
Ilford Galerie printer paper 25% mail-in rebate – For those who do their own printing – like me! – there is a very good 25% mail-in rebate on all Ilford Galerie papers. (Rebate form and details here.) This is not strictly a B&H deal since the rebate comes from Ilford, but B&H does offer Ilford GFS papers, too, in both in rolls and cut sheets.  Ilford Galerie Prestige Gold Fibre Silk is my favorite paper. I’m probably going to take this opportunity to stock up.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.