Islands, Fog

Islands, Fog
“Islands, Fog” — Two small reed-covered wetlands islands in thick winter tule fog.

At times I like to make photographs that contain as little detail as possible, photographs that might suggest more than they tell. The most distinct feature in this scene is the darker island at the left. Beyond that we see (barely) one more island and then nothing. Any further detail is masked by the thick Central Valley tule fog.

It was a remarkably foggy day. I drove over there from my home about two hours away, and the last half hour or so of the drive was in fog so thick I could barely see the roadway. I had initially hoped that I might get a bit of sunrise color and then a late-morning clearing, but neither happened. If anything, the fog got thicker after noon!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Cathedral Range

Cathedral Range
“Cathedral Range” — The distant Cathedral Range rises above Yosemite high country forests and meadows under evening clouds.

This was the scene late in the day during my early July visit to the High Sierra near Tuolumne Meadows and just east of Yosemite National Park. In the right light, this can be my favorite time of day — the sun Is nearing the horizon and the light is softening and turning golden, and shadows stretch across the landscape. I made the photograph next to a high country meadow that opens to a view of the distant Cathedral Range.

The Cathedral Range has a unique personality. It is not on the Sierra Crest, but instead runs more or less northwest to southeast between the the Tuolumne and Merced Rivers. It rises from mostly forested country to culminate in open granite terrain, with some summits that escaped glaciation and are rugged and steep.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

White-Faced Ibis

White-Faced Ibis
“White-Faced Ibis” — A white-faced ibis feeding in California Central Valley wetlands.

Photographing this and some other birds was a serendipitous event at the end of October. I was on my way from the San Francisco Bay Area to Yosemite to photograph autumn color. Rather than show up during the midday flat light period in the Valley, I decided to detour to a wildlife refuge, just to take a look around. I wasn’t really expecting to see much this early in the season, but I was surprised to find plentiful sandhill cranes, egrets, and white-faced ibises.

At one point I came upon a big flock (or, technically perhaps, two flocks intermingled) of ibises and egrets. Although I had intended my visit to be brief, I ended up spending some serious time photographing this group. The birds were feeding among short wetlands plants near the edge of a large pond in the early morning light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Levee Road, Tule Fog

Levee Road, Tule Fog
“Levee Road, Tule Fog” — Tule fog shrouds the winter landscape along a California Central Valley levee road.

A couple of weeks ago I made my way out to California’s Central Valley for what I hoped would be a day of bird photography augmented by landscape work. My favorite days at this time of year begin with tule fog that clears before noon. There is wonderful transitional light as the conditions change, and once the fog lifts there are usually opportunities for bird photography. Well, I got the fog I came for… and it never left! (The birds? Not so much.)

This spot along a levee road skirting wetland ponds is very familiar to me. I photograph here all the time, and I’ve photographed literally this same scene often — at dawn, in fog, late in the day, after dusk. It includes several elements I associate with this place: skeletal winter trees, new growth after winter rains, and the landscape fading into the distance under the fog.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.