Ponte De Le Bande, Evening

Ponte De Le Bande, Evening
“Ponte De Le Bande, Evening” — A couple sits at the edge of a Venice canal next to the Ponte de le Bande in the evening.

This photograph comes from an evening walk in Venice back in August. Looking back on it, I’m still surprised that I managed to find a break in the usual stream of humanity across bridges like this one. It was evening, and things do quiet down at night, but it isn’t all that late. It is pretty likely that I made the photograph quickly while passing, and I’d be willing to bet that seconds after I made it other people entered the scene.

Dealing with crowds in Venice and similar places — as a photographer or just plain as a visitor — is a complex subject. (Some might simplify it by simply staying away at the worst times of the year, but we did not have that option.) To some extent, it is possible to embrace the intense energy of the masses of people, but that can be both distracting and overwhelming. But late at night or — even better — very early in the morning the crowds melt away to nearly nothing. One early morning in Venice I walked through one of the most crowded locations, and it was almost empty.



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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Tree and Wall

Tree and Wall, Orvieto, Italy
“Tree and Wall” — A tree grows against a textured and weathered wall in Orvieto, Italy.

Although I don’t think of myself as _just_ a “nature photographer,” my roots are in that sort of photography. Even when I’m focused more on street photography or travel photography, I am still drawn to nature subjects. In fact, sometimes I find them almost more compelling set against the urban landscape — partly because seeing them there reaffirms their significance to us a humans and partly because of how these things relate to that urban world.

I photographed this tree in Orvieto, Italy. While the tree is “natural,” its setting is anything but. It grows right up against this weathered and distressed wall in a narrow walkway between tall buildings. Direct sunlight only penetrates do the bottom of this urban canyon briefly, and the rest of the time the scene is in shade. (As with so many of these cityscapes of narrow streets, I am reminded of photographing in the red rock canyons of the American Southwest.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Perpendicular

Perpendicular
Blue wooden doors with former windows filled by painted wood panels.

Perpendicular. © Copyright 2023 G Dan Mitchell.

Blue wooden doors with former windows filled by painted wood panels.

Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.

I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Domes, Evening

Domes, Evening
Early evening light on Lembert Done, Yosemite National Park.

Domes, Evening. © Copyright 2023 G Dan Mitchell.

Early evening light on Lembert Done, Yosemite National Park.

During the last week of summer I finally managed to get up into the Sierra Nevada high country for the first time this season. (As you may know, we were traveling outside the US for most of the summer.) It was great to be back “home” in the Sierra — though the weather conditions were a bit… “interesting.” I encountered thunder and lightning, wind, rain, and even snow! Despite (or perhaps because of?) that weather, I managed to make this photograph of late light on some familiar Tuolumne Meadows during a brief clearing before sunset.

Folks who know Tuolumne Meadows will probably recognize at least a few things in this photograph. A bit of the meadow is, of course, visible in the foreground, just below the trees in the sunlight. The main geologic feature is Lembert Dome, which dominates the local view here, and to its left is its partner, Dog Dome. In the distance over the right shoulder of Lembert Dome is Mount Dana, the second-tallest peak in Yosemite, with its summit covered by clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.