Monterey Cypress, Clearing Fog

Monterey Cypress, Clearing Fog
Morning fog clears around a stand of Monterey cypress trees along rocky cliffs, Point Lobos.

Monterey Cypress, Clearing Fog. © Copyright 2023 G Dan Mitchell.

Morning fog clears around a stand of Monterey cypress trees along rocky cliffs, Point Lobos.

Shortly after my parents moved the family to California, so many decades ago, we started visiting Point Lobos. The biggest adventure in those days was exploring the tide pools. Only later did I branch out and begin to explore the rest of the park, though I was making photographs at the place before I was in high school. Let’s just say that this park and I have a very long history.

I made this photograph on what might be the perfect sort of Point Lobos day. It started with low, thick morning fog that covered everything. Instead of suddenly “burning off,” as is often the case, the fog hung around and only dispersed slowly. As I hiked past this section along the upper edges of north shore cliffs, a hint of blue was beginning to appear and the light was starting to become a bit directional, but there was enough fog to obscure anything very far away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Entering the Dunes

Entering the Dunes
Footprints lead into the sand dune landscape.

Entering the Dunes. © Copyright 2023 G Dan Mitchell.

Footprints lead into the sand dune landscape.

Most of our landscape photographs try to present the landscape without obvious human presence. I write “obvious” because it is hard to find any place where no human effects are present. Sometimes photographers are criticized for presenting the illusion that this isn’t so. While I think the point is important, the criticism is unwarranted and based on its own untenable notion of what wilderness is. In any case, the inclusion of a more overt human element in photographs can encourage us to think of these places in a different way.

We often strive to photograph dunes after sand storms, when footprints have been erased. But including such things can also engage us in the landscape in useful ways — if nothing else they urge viewers to imagine themselves in these places. The footprints here are somewhat subtle, but I think that we relate to the scene differently when we see a line of footprints leading into it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote Bush and Dunes

Creosote Bush and Dunes
A lone creosote bush among sand dunes, Death Valley.

Creosote Bush and Dunes. © Copyright 2023 G Dan Mitchell.

A lone creosote bush among sand dunes, Death Valley.

The sand dunes often surprise first-time visitor with much more evidence of life than they might expect. We tend to think of dunes as being…. just sand. They are largely sand, but things live and grow out there, too — from reptiles, birds, and mammals to all kinds of highly adapted plants. In fact, sometimes when I’m trying to photograph a landscape of “just sand” I have to work to keep the other stuff out of the frame!

The bushes are well adapted to the dunes. While the lower branches eventually die and turn brown, in spring the upper portion of the plant can be intensely green and covered with small yellow flowers. On a windless day you might be surprised by the hum of bees swarming the flowers!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rooted in Stone

Rooted in Stone
A mature tree growing in cracks in a fractured Yosemite cliff.

Rooted in Stone. © Copyright 2023 G Dan Mitchell.

A mature tree growing in cracks in a fractured Yosemite cliff.

Even as I work on new photographs, I return to old files to see what I have missed — and there is always something to discover. When I look at photographs long after I made them it seems like I can see them for what they are more than for what I expected them to be. I don’t recall the specific circumstances of making the photograph… and sometimes I don’t remember making it at all!

I know I made this on a very quick swing through Yosemite Valley as we returned from a few days in Oakhurst for the opening of a show. At this point, the specific details of visits to Yosemite Valley tend to blur together, since I’ve visited the place since I was about five years old. How many times total? Scores? Hundreds? I can’t say. But I’m still amazed that trees like this one can grow in such unlikely places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.