Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Orange, Green, and Black

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Orange, Green, and Black
A safety pylon casts a shadow on green metal panels next to black plastic.

Orange, Green, and Black. © Copyright 2021 G Dan Mitchell – all rights reserved.

A safety pylon casts a shadow on green metal panels next to black plastic.

This photograph came out of my participation in a project to photograph orange things (around Halloween, not surprisingly) with a group of fellow photographers. The group gets together every so often — virtually at the current time — to share recent photographic work. I suspect that the reasons include both social value and photographic value, but these little exercises can be useful, especially if you are trying to get “un-stuck,” are looking to explore something different, or are just seeking out a way to practice the work of seeing.

Because it was around Halloween I wanted to avoid going for the low-hanging fruit and just photographing pumpkins and autumn leaves. So for a couple of weeks as I walked around my community I kept my eyes open for anything orange. I also started to try to think a bit more broadly about what it meant to photograph orange — and one idea was that orange could easily just be one component color in a subject. Since I was looking for that color, it isn’t a surprise that the pylon first caught my attention. But I quickly started thinking about the relationship between green and orange, the shadow, and the dark pattern at the left side.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Early Autumn Aspen Grove

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Early Autumn Aspen Grove
A small grove of Eastern Sierra Nevada aspen trees begins to take on autumn color.

Early Autumn Aspen Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of Eastern Sierra Nevada aspen trees begins to take on autumn color.

Over the past decade or so the fall color change in the Eastern Sierra Nevada has come to attract a lot of attention. It is not unwarranted, as the aspen color throughout the range can be quite spectacular. It is also pretty accessible, and as the state’s population has continued to increase and as social media has spread the word faster and more widely… some areas have become quite crowded and even overrun for a few weeks each year. A few well-known locations have become some famous that they literally attract mobs of photographers and others. I won’t name them here — they get enough attention already. (I sometimes wonder how much blame I share as the author of a book on this event — though my publisher went along with my vow to drastically limit naming places that can’t handle the traffic.)

Despite the crowds, I hinted at the good new in the first paragraph of this post when I wrote, “throughout the range.” Often folks head straight toward the Big Name locations (as is natural) and drive right past a whole bunch of other wonderful instances of fall color. Over the years, some of my favorite aspen trees have been in places that are distinctly non-iconic. There are many things to like about this development. It means that I have subjects everywhere! I frequently find myself alone while photographing these locations. And over time I’ve developed my own little collection of place with personal meaning. This photograph comes from such a place, a grove that I had literally driven past for years before I finally stopped one day to make photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Trees on Sandstone Cliff

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Trees on Sandstone Cliff
A row of coniferous trees ascends a steep gully on a sandstone cliff face.

Trees on Sandstone Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

A row of coniferous trees ascends a steep gully on a sandstone cliff face.

There is something compelling about individual or small groups of trees growing in unlikely places. It is hard to precisely describe why this is, but my friend Charles Cramer has referred to photographs of them as “brave little tree” images. (I don’t know if Charlie coined the term, but he’s the first person I heard use it.) Perhaps there is something metaphorical about these trees stand in such places, where they are tall and straight like these examples or twisted and stunted by their stark environment. Whatever the reason, I know I’m not the only person attracted to them.

This group of conifers grows high up on a sandstone cliff in Zion National Park, improbably forming a very tine forest in a very difficult place. Such trees, viewed up close, often seem to thrive on almost nothing at all, putting roots down in little more than cracks in the rock. This group rises from a cluster of smaller shrubs and trees to a few larger trees in the widest part of the ledge, and then the trees continue upwards, diminishing in size.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Junipers, Sierra Crest Before Sunrise

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Junipers, Sierra Crest Before Sunrise
Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

Junipers, Sierra Crest Before Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

The Sierra Nevada has many faces, and the east and west sides almost look like two different ranges. The west side is approached via the flat, agricultural Great Central Valley, and it begins with almost imperceptible hills that gradually rise to foothills, then to forested mountains, and many miles later finally culminate in high, rocky peaks and ridges. The personality of the east side is entirely different. You regard it from what is essentially high desert, hot and dry country, and in many place the entire upward thrust of the eastern escarpment is visible at once, rising as much as 10,000 feet from valley to peaks.

I made this photography early on an autumn morning, from a place high on the gigantic hills rising toward the eastern face of the range. In the foreground are a couple of juniper trees, one of the common trees of the dry Southwest terrain. Further above, open and sparse forest dot the rising slopes. Above it all are the high, alpine peaks of the Sierra crest, here topped by the recognizable profile of Mount Humphreys.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.