Photographs: Urban/Street

Orange F250

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A very orange Ford F250 pickup truck

Orange F250. © Copyright 2021 G Dan Mitchell – all rights reserved.

A very orange Ford F250 pickup truck.

This photograph is another from the little “orange exercise” that I and a few of my photographer friends engaged in around Halloween. The objects was to… photograph orange things. It turns out that this was a trickier task than I imagined. Because it was Halloween time, a lot of the potential orange subjects seemed a bit obvious. (Not that this entirely kept me from photographing pumpkins…) The surprise to me was that once I started looking for orange… the exact boundaries between orange and various other colors started to become fuzzy. I’d look at something that seemed orange, only to realize that in a different context it might be regarded as yellow or red or brown. There are objective facts about color, but our perception of it is highly subjective!

Having said that, there is no question in my mind that this truck is orange! I used to occasionally see cars painted in colors like this, but today mostly we see some pretty drab colors — generic white, black, gray, silver and similar. Even blue and green are less common than they once were. So this very orange truck caught my attention while I was out walking in the neighborhood. One more thing: perhaps, like me, if you stare at the shape of this vehicle long enough it may start to look really strange…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Young Trees, Zion Canyon

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Young Trees, Zion Canyon
Slender young trees growing at the base of the sandstone cliffs in Zion Canyon.

Young Trees, Zion Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Slender young trees growing at the base of the sandstone cliffs in Zion Canyon.

The biggest and oldest cottonwood trees are some of the most impressive specimens in these canyons. They often tower high above their surroundings, and for this reason can be photographed against cliff faces or sky without interference from other plants. They fill sections of canyon bottoms throughout the Southwest and, for that matter, they are found in an amazing range of places in the west, from near desert locations to the flatlands of California’s Central Valley. However, their dominance of the plantscape can sometimes distract from other worthy subjects that do not shout their presence quite so loudly.

These young trees in Zion Canyon have a kind of grace and fragility that contrasts with the solid mass of those bigger cottonwoods. The branches of these trees are slender and they move in the breeze. (Which, by the way, adds a particular challenge to photographing them in very low light.) The soft canyon light reflecting down from far above almost makes them luminous.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cliff Edge in Sunlight

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Cliff Edge in Sunlight
Sun shines on the sharp edge of a sandstone cliff, Zion National Park.

Cliff Edge in Sunlight. © Copyright 2021 G Dan Mitchell – all rights reserved.

DescrSun shines on the sharp edge of a sandstone cliff, Zion National Park.iption

Many years ago I was on a two-week backpacking trip through a long section of the Southern Sierra Nevada, covering some of the highest portions of the range on foot. The hike took me across a series of very high passes that were close to 12,000′ hight. In other words, I spent a lot of time in some very rugged and alpine places. I distinctly recall pausing on one of the higher passes to look around and realizing that the entire visible landscape consisted of rock and snow, with not a bit of forest visible to me. That vision of such a raw landscape stuck with me, and I’m always on the look out for such things.

While Zion Canyon is certainly not a place without forests and trees and rivers and lots of other comfortable things, it is possible to find a few ways of viewing this country that reinforce how much of its landscape is built on rock, in this case layers of sedimentary rock laid down, transformed, twisted and tilted over the millennia. This photograph catches the sun-lit edge of a closer buttress (yes, with a few plants!) juxtaposed with another more distant wall in shadow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Orange, Green, and Black

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Orange, Green, and Black
A safety pylon casts a shadow on green metal panels next to black plastic.

Orange, Green, and Black. © Copyright 2021 G Dan Mitchell – all rights reserved.

A safety pylon casts a shadow on green metal panels next to black plastic.

This photograph came out of my participation in a project to photograph orange things (around Halloween, not surprisingly) with a group of fellow photographers. The group gets together every so often — virtually at the current time — to share recent photographic work. I suspect that the reasons include both social value and photographic value, but these little exercises can be useful, especially if you are trying to get “un-stuck,” are looking to explore something different, or are just seeking out a way to practice the work of seeing.

Because it was around Halloween I wanted to avoid going for the low-hanging fruit and just photographing pumpkins and autumn leaves. So for a couple of weeks as I walked around my community I kept my eyes open for anything orange. I also started to try to think a bit more broadly about what it meant to photograph orange — and one idea was that orange could easily just be one component color in a subject. Since I was looking for that color, it isn’t a surprise that the pylon first caught my attention. But I quickly started thinking about the relationship between green and orange, the shadow, and the dark pattern at the left side.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.