Cranes, Fog, Island

Cranes, Fog, Island
A small flock of sandhill cranes at the edge of a small island and reflected on a pond on a foggy morning

Cranes, Fog, Island. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small flock of sandhill cranes at the edge of a small island and reflected on a pond on a foggy morning.

Sometimes I photograph birds (and other subjects) accompanied by various friends and fellow photographers. Other times I go alone. I enjoy both, though there is something special about being “out there” in the wilds on my own as I was on the morning when I made this photograph. Working alone (and sometimes working with kindred spirits, too) allows a kind of intense focus on the subject that borders on obsessions. But, perhaps ironically, it also permits a sort of slow and aimless work that simply allows things to happen.

This was that kind of morning. I was, indeed, quite focused on locating and photographing birds and the foggy morning landscape, and an observer might have wondered when I occasionally stopped and worked one subject for extended periods of time. These cranes were standing in shallow water, and I watched them for some time until they finally seemed to have had enough of me, and they took flight and departed for some distant location.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn, Eastern California Mountains

Autumn, Eastern California Mountains
Early autumn color in mountains east of the Sierra Nevada

Autumn, Eastern California Mountains. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early autumn color in mountains east of the Sierra Nevada.

This was a wonderful day in many ways — as a mountain experience, as photography, and as an exploration. I was in the Eastern Sierra Nevada in mid-September, that post-Labor Day period when the crowds diminish and the weather starts to change convincingly in the direction of autumn, but still with warm and sunny days. On this day I woke very early and decided to head east of the Sierra. I was on the road before dawn, and I ended up exploring an area that was mostly new to me.

I was surprised by the number of aspen trees out here that had already changed colors. In the locations I frequent in the Sierra the change was mostly still a week or two away, but here many trees were already showing peak color. As I explored I found a high overlook — the summit of a low peak — where there were expansive views across layers of receding forested mountain ranges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Geese, Pond, Dawn Sky

Geese, Pond, Dawn Sky
Ross’s geese in a wetland pond on a foggy morning beneath dawn sky

Geese, Pond, Dawn Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Ross’s geese in a wetland pond on a foggy morning beneath dawn sky.

There is often a particular esthetic around bird photography that concentrates on close photographs of individual birds. I’ve often thought that the reasons for this particular approach are several. For some bird photographers – though not so much for me — this work is an outgrowth of “birding,” and in that endeavor being able to view individuals close up is a goal. There’s also an element of the technical challenge. It isn’t easy to get in position to fill the frame with one bird, and it is even more difficult when the bird is in flight. On top of that, we must acknowledge that for at least a subset of bird photographers, the acquisition and use of really big and really expensive lenses has its attractions.

I’m not immune to those things, but I often find myself approaching birds in a somewhat different way. Few of my photographs feature a single bird filling the frame. (I can do that, and I have, just not that often.) More typically, the photographs include a group of birds — a couple of them together or perhaps thousands — and place them in the landscape. The latter is quite likely linked to my long interest in the landscape as a subject. This photograph clearly fits that lineage — it is what I think of as a “birdscape,” a photograph including birds in the landscape they occupy. I made this photograph in a water-filled place on a foggy morning when soft and colorful dawn light briefly lit the sky.

David Hoffman and I have an exhibit of “birdscapes” opening very soon at Stellar Gallery in Oakhurst, California, near the southern entrance to Yosemite National Park. If you’ll be in the neighborhood — going to see the Yosemite Valley snow or to photograph Horsetail Fall? — stop by and take a look at our photographs!

February 16th-March12th. Reception February 16 5-8:00PM. Stellar Gallery, Oakhurst, California

Birdscapes — David Hoffman and G Dan Mitchell
Birdscapes — David Hoffman and G Dan Mitchell

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Taking Flight, Sandhill Cranes

Taking Flight, Sandhill Cranes
A group of sandhill cranes takes to the morning sky above foggy marshland

Taking Flight, Sandhill Cranes. © Copyright 2018 G Dan Mitchell – all rights reserved.

A group of sandhill cranes takes to the morning sky above foggy marshland.

This photograph continues the theme for the next week or so, leading up to the opening on February 16 of “Birdscapes,” my joint show with David Hoffman at Stellar Gallery in Oakhurst. Today’s photograph comes from rather early in the Pacific Flyway season, way back in November. At this point the earliest winter birds are just arriving and others are still in transit from their summer breeding grounds. On this morning the main show was sandhill cranes, though a few other individual birds showed up, too — egrets, perhaps a few ibises, and lots of “little brown birds.”

The more I am around birds the more I realize that they spend a lot of time doing… not much, or at least not much that seems very active. But interjected into these mostly slow periods are some very active and dynamic moments. Among them are take-offs and landings. These birds are somewhat large, and getting airborne is no simple thing — there is a lot of initial jumping and flapping and perhaps even a bit of footwork to get things moving. This group was just taking flight from a shallow bond on a morning of thin and clearing fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.