Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Boulders, Tuolumne Meadows

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“Boulders, Tuolumne Meadows” — Large granite boulders strewn across Tuolumne Meadows.

This is another of those locations that are best photographed very early or very late in the day, and preferably without the distraction s of large groups of photographers. It was evening, and I drove to Tuolumne Meadows from my camp to look for quiet light on meadows, boulders, and domes.

The Meadows are beautiful in the late-day light, which softens and can turn golden. Here a pile of large rocks, almost certainly glacial erratics, dominates the scene, and light from the setting sun comes from just outside the camera’s frame. In the distance we see peaks of the Cathedral Range.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Portugal, Photographs: Travel

Grapevine and Door, Provesende

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Grapevine and Door, Provesende
“Grapevine and Door, Provesende” — A volunteer grapevine grows against an old wall next to a doorway, Provesende, Portugal.

Our May week-long walk in the hills above Portugal’s Douro River Valley began in the small town of Pinhão — with a rather stiff climb from the river up into those hills at Provesende. (We used Portugal Green Walks to organize the trip, and I give them a lot of credit for designing the trek to start with a short, steep day… and conclude the trip at a place with a stunning view overlooking the Douro.)

Provesende was one of many charming small towns we passed through on the walk. Most are quiet places, with old buildings and narrow streets, and surrounded by vineyards. If I recall correctly, this scene was part of a small rural building on the edge of town. The textures and colors of the old building attracted my attention, as did the solitary, opportunistic grapevine growing from a crack at the base of the wall.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Two Shorelines

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Two Shorelines
“Two Shorelines” — Shoreline trees, meadows, and rocks reflected in the water of a small subalpine Sierra lake.

Many of my photographs from this July backpack trip in the Eastern Sierra featured views of the “grand landscape” — long and high mountain ridges, lakes backed by tall mountains, and so forth. This one focuses on closer subjects including the shoreline that I was standing on and the meadow and sparse forest on the other side of this small bay.

I made the photograph early in the day, at just about the end of my morning photography. The soft and warm light of early morning was fading away and beginning to be more harsh. I was first interested in the little rocky outcropping just to the left of center, and I thought it would be interesting to juxtapose that with the further forest across the water.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Lisbon Rooflines

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Lisbon Rooflines
“Lisbon Rooflines” — A succession of rising rooftops against a cloudy sky, Lisbon.

On one level this photograph is about the forms and colors of the buildings in this Lisbon neighborhood. The color palette is more typical of Southern Europe — from here to Italy and beyond — with the earth tones and the red tile roofs. The angle relationships are compressed, in part because the buildings are so close to one another.

It is also about the “atmosphere” of the place — the light of this region seems to me to have a particular quality. On one hand it can be sharp edged, I suppose due to the southern location and the high position of the sun. But there can also be a softness to the atmosphere that isn’t like the harsh quality often seen in, for example, the American Southwest.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.