Talus And Reflecting Water

Talus And Reflecting Water
Giant talus boulders above reflecting waters of an alpine lake

Talus And Reflecting Water. © Copyright 2018 G Dan Mitchell – all rights reserved.

Giant talus boulders above reflecting waters of an alpine lake

This is another in a series of photographs I made this past summer that feature raw talus fields (possibly with a lake at the base) in blue early morning or evening shade. For some reason this subject seemed to catch my attention this summer on our almost-annual week in the Sierra backcountry — perhaps because this time our base camp was at a high lake situated at the base of a gigantic field of talus descending from the ridge right above us, and because one of the higher lakes I visited several times also featured impressive talus fields.

This photograph comes from that upper lake, which I had hiked to late in the day in order to photograph a different subject before the last light left the shoreline. Having completed that work — and having lost the direct sun — I turned by attention to the far side of this lake, and inhospitable looking landscape of shattered and tumbled rocks and boulders at the base of a cliff at the edge of the lake. At this time of day, in this light, the colors shift strongly toward blue, since the scene is mostly illuminated by the open blue sky plus a bit of light reflected from nearby peaks. The scene evokes for me a whole series of associations and memories based on decades of travel in the high country — the hollow, clattering sound of foot travel on the loose rocks, the sensation of the rocks shifting beneath my feet, the cold air, and the near complete lack of vegetation other than a bit of lichen.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Unfun

Unfun
Weathered wall with graffiti, Amsterdam

Unfun. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered wall with graffiti, Amsterdam

For the most part I don’t photograph graffiti, and on the rare occasions when I do in the US I may alter the painted “tags” in post in order to avoid giving publicity to folks who, it may be argued, are basically vandalizing the property of others. I’m also sometimes a bit uneasy, when the marks transcend mere graffiti and become street art, about simply capturing an image of someone else’s art and presenting it as my own.

But sometimes I can’t help myself. In fact, on our 2018 European travels we encountered so much graffiti that it would almost be dishonest to pretend that it isn’t part of the urban landscape. (Especially in Berlin. Very much especially in Berlin…) This little example comes from Amsterdam, and I appreciated several things about it. I was intrigued to see that it was mostly constrained to the blocks or rectangular material on the right side of the frame and mostly not on the bricks — almost as if these were somewhat well-mannered graffiti artists. The juxtaposition of shapes and colors interested me in its own right. And then there is that enigmatic “UNFUN” inscription in a somewhat neat sans-serif font, contrasting with the other colorful scrawls on this wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Talus, Reflection

Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bicycles and Canal, Rainy Evening

Bicycles and Canal, Rainy Evening
Bicycles locked to a bridge railing above an Amsterdam canal on a rainy evening

Bicycles and Canal, Rainy Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bicycles locked to a bridge railing above an Amsterdam canal on a rainy evening

If I remember correctly — and I’m pretty sure I do in this case — I made this photograph late on our first day in Amsterdam this past summer. We had arrived by train from London that afternoon, made our way to our hotel just outside the main “downtown” section of the city, settled in, and then headed on foot into the city to start exploring. For some reason I had expected sunny and somewhat warm weather — which had recently been the trend in northern Europe — but we certainly did not have that when we arrived!

This first late afternoon exploration was quick. It began with a stop at just about the first decent-looking restaurant we ran across, since we were pretty hungry by this point. We finished, went outside, and began walking. It was a dark and drizzly evening, which produced a subdued and moody effect. I made this photograph — obviously! — as we walked on a bridge across one of the canals, finding bicycles leaning against the railings.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.