Alpine Lake, Evening Reflections

Alpine Lake, Evening Reflections
A rocky peninsula, an alpine lake, reflections of the headwall in evening light

Alpine Lake, Evening Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rocky peninsula, an alpine lake, reflections of the headwall in evening light

In high places like this, where cirque walls tower over alpine lakes and block the light early and late in the day, evening quiet can come early. I had been walking to this spot almost daily for several days to try to make a photograph of a particular group of trees that caught the last sunlight in the late afternoon. On this day my timing was (finally!) right, and after I made that photograph I turned my attention to the rest of the scene, which was now in shadow.

To my left a small rocky peninsula pushed out into the lake near its outlet stream and supported a few trees and small plants that could gain a foothold it its cracks. Across the lake piles of talus lay at the bottom of the solid rock face of the valley’s headwall, where one snow patch remained, reflected in the quiet surface of the lake. That surface also reflected the rest of the face, including parts so high that they are not in direct view. The entire scene was illuminated by the soft blue light coming from the open sky above and behind me.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hostel 36

Hostel 36
Window and entrance to Hostel 36, Heidelberg

Hostel 36. © Copyright 2018 G Dan Mitchell – all rights reserved.

Window and entrance to Hostel 36, Heidelberg

By now we have visited Heidelberg several times, spending a total of perhaps a couple of weeks there. We have relatives (Patty’s brother and sister-in-law) who live there, so we almost always include a visit when we are in that part of the world. By now we’ve wandered a bit around the city, especially the Altstadt area and its surroundings, but also on the other side of the hill that runs along the opposite of the Neckar.

The Altstadt is, of course, a bit of a tourist destination. It is an older area of the city, many of the streets are narrow enough that there is little or no vehicle traffic, it is filled with restaurants, hotels, and other things that attract visitors, with historic churches, a university, and a large castle in the hills above. I recall that the first visit took us right up one of those streets filled with shops and restaurants. We still go there, but we also wander away from the “main drag” and into some of the back streets. It was on one such walk that I spotted this scene, a hostel with an unusual color exterior color scheme.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Subalpine Lake, Late Afternoon Light

Subalpine Lake, Late Afternoon Light
Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake

Subalpine Lake, Late Afternoon Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake

This is a photograph that required a bit of persistence! During our September stay in the Eastern Sierra Nevada backcountry, I first walked up to this lake several days before I made this photograph. When I arrived for the first time I made a guess as to where I might find a photograph, but the guess was wrong! As the light faded I tried a different spot, and I found a good one, but I missed the best light. I made a mental note to come back, and even noted the specific spot to be in. A day or two later I headed back in that direction late in the day, with plenty of time to get there before the good light arrived… but then I got distracted by some other attraction, spent too much time on it, and arrived at this lake — you guessed it! — about three minutes too late! However, I did have a bit more time to consider the location and timing of the shot I had it mind.

I went back one more time, and this third time was almost not a charm. I got there plenty early and found my spot well before the good light… and discovered a woman set on fishing from the lovely rocks on the peninsula in the center of the photograph! Since I was early I decided to wait quietly and not try to convince her to get out of my shot, but I did explain what I was there for. I waited. She continued to fish. I began the internal debate about just how aggressive I should be about trying to get the shot. I think she figured out that I really wanted this photograph, since about five minutes before I made it she moved on to another spot on the other side of the rock. (She continued to fish, and I had to time my exposures between her casts, when sent line right into the water beyond the rocks.) In the end my persistence paid off, and I got a photograph that I like — to me it seems to capture that lovely late-day, late-summer light in the high country, and it even includes some really lovely color in the water. I finished the photography here… and had time left over for a short hike to the top of a nearby pass before the light faded.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Child In The Street

Child In The Street
A toddler walks in the street in front of arches, Vienna

Child In The Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

A toddler walks in the street in front of arches, Vienna

There are probably multiple ways to think about this photograph. It is, obviously, a photograph of a small child in a roadway. Is the child actually alone? Why is he/she in the street? Why did I make a photograph rather than running to protect the child? I’m not going to answer those questions here — partly because I think it is better to let the viewer wonder, and partly because there is no scandal in any of the actual answers. But questions remain? What IS this child doing? What, if anything, does this mean?

On a practical note, this is an example of the sort of photograph that would be pretty much impossible to make using the equipment or techniques of my landscape and similar photography. A scene like this happens instantaneously, usually with little or no warning, and it is gone almost as soon as you see it. For this sort of thing I work with a small handheld camera with a prime lens, which lets me respond to such scenes almost without taking (much) time for conscious thought.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.