Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn Aspen Trees, Utah

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Autumn Aspen Trees, Utah
“Autumn Aspen Trees, Utah” — Dense forest of tall aspen trees with autumn foliage, Dixie National Forest.

This seems like a somewhat unusual aspen photograph for me. One difference is the color palette — in addition to the usual yellows and reds, there is a lot of green from the small conifers growing beneath the aspen canopy. Another difference is that I photographed during the main part of the day, rather than in the soft light of early morning or evening.

Over the course of several visits to Utah I gradually learned that the best sights are not restricted to the famous national parks. There is a lot to see and photograph in those places, but state parks, national monuments, and national forests also present loads of opportunities. This photograph was made in the vast and diverse Dixie National Forest.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Manly Lake Reflections

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“Manly Lake Reflections” — Manly Lake reflects peaks of the Panamint Range, Death Valley.

We arrived before sunrise to photograph at Badwater Basin, featuring Manly Lake, and we continued to photograph well past the golden hour. As the day continues, the colors of the desert landscape soften and become less intense. That was the effect I was looking to capture in this photograph. The light on the mountains is still warm, but the dawn color is gone from the cloud-filled sky and its reflection.

I chose to include a bit of the playa material breaking the surface of the water in order to anchor the scale of the scene. While the mirrored forms of distant mountains and clouds are almost abstract, those bits of material emerging from the shallow water remind us of the reality of the scene.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Belgium, Photographs: Europe, Photographs: Travel, Photographs: Urban/Street

Tourist Go Home

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Tourist Go Home
“Tourist Go Home” — Graffiti and tags on a Brussels wall, including the slogan, “Tourists Go HOme.”

The “Tourist Go Home” tag is seen frequently in European cities these days. I have mixed feelings about it. I understand the frustration when housing has been taken from local residents to provide lodging for visitors, which has the secondary effect of raising the costs of the remaining units. In some of the extremely crowded places (especially in the summer high season) the streets are so full of visitors that the locals must feel overrun.

On the other hand, “go home” is what tourists do! So while I understand the sentiment being expressed and the reasons for it, it doesn’t carry quite the sting that they may intend. And, to answer the obvious question, do visitors in general feel hostility from local residents? We have not — though it may help that we now visit outside the main tourist season and make every effort to not be one of “those ” tourists.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada

Shoreline and Reflected Ridge

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Shoreline and Reflected Ridge
“Shoreline and Reflected Ridge” — A Sierra Nevada ridge reflected in a subalpine wilderness lake.

If you are a Sierra Nevada backcountry traveler, you recognize this a a classic Range of Light scene. It was early morning, and I had been photographing since before sunrise. I walked the shoreline of this subalpine lake, following terrain like that in this photograph. The sun’s light angled across the high peaks and talus slopes as it rose above ridges to the east.

When I first backpacked many years ago, I was astonished by the mere existence of such places and the idea that I could wander through them. Eventually I slowed down and no longer thought of scenes like this as just staging for the higher peaks, but as important places on their own. These days I’m happy to linger with my camera gear, often pausing just to look.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.