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Summer’s End. Yosemite National Park, California. September 7, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.
Late summer meadow and forest, Yosemite National Park
I missed much of summer in the Sierra this season since we were traveling. Soon after we came back to California I managed to squeeze in a few “going home” days in the Yosemite high country during the week following the exit of the Labor Day Holiday crowds. Following my midday arrival and camp setup (and a nap to compensate for my early wake up call that morning) I decided that I’d head out a familiar trail toward an alpine lake that I’ve frequently visited in the past. As it turns out I started a bit too late, and when I hit my predetermined halfway time I hadn’t made it the goal — so I just found a rock and sat quietly for a while before turning around.
Every summer, far before autumn actually begins, I see the early signs of the coming seasonal change. I missed the first hints since I wasn’t there in August. (Though I did see a few early leaves change color in Italy at that time.) But on this early September day the signs were all there. The meadows have turned that familiar golden brown color. Red bilberry plants glow in the low angle backlight. Corn lily plants have lost their green lushness and now turn brown and topple over. A few yellow leaves begin to appear on willows, and here and there it is even possible to find a few aspen trees with premature yellow leaves. Less concretely, there is something I’ve never quite been able to define about the light and the atmosphere, though it is plainly obvious to me that it has changed. Summer is ending in the Sierra, and the inevitable arrival of autumn and winter is just around the corner.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Superette des Abesses, Night. Paris, France. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.
The light of a market in Montmartre spills out onto the nighttime sidewalk
This is another photograph from one of our night walks in Montmartre, Paris. It may be quiet at night somewhere in Paris, but here and in the other areas we visited it seemed that there were always people out and about, and especially sitting in cafes and restaurants well into the evening. We ended up getting into the swing of things and eating dinner hours later than we would at home — and taking much longer to do so.
It isn’t just restaurants that are open, either. There are bars and gelato shops and places where you can get a crepe or a cookie. And these little markets are also all over the place. One thing Americans could learn from Europeans, at least judging by what we say, is that it is possible to make healthier foods (and wine!) part of regular eating. Even the fast food places serve salads with the fried stuff! This little market had a colorful stand outside that offered a variety of fruits and vegetables.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sidewalk, Person in Blue. Florence, Italy. August 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.
A blue-clad person walks along a Florence sidewalk
Late in August, we ended our lengthy travels — the last four weeks of which were in the UK and Europe — in Florence, Italy. We had met family in the Chianti region, where we all stayed together for a week, and since we would begin our homeward flight in Florence, we decided to at least spend a couple extra nights there before departing. I suppose the main thing I discovered during our brief Florence visit was that two nights (two half days and one full day) was not nearly enough time to explore this city!
Our first Italian city was Bologna, where I noticed the color palette of the buildings was different from what I’m used to — almost everything was some shade between a dark tan and brown, all earth tones. We soon figured out that this was typical in all of the areas of Italy we visited. You see those colors in this photograph, with slight variations plus a bit of blue-gray around one door frame. Coming from the high-tech world of the San Francisco Bay Area, I was also struck by the natural wear on buildings in Italy — many had cracks, areas “needing” paint, and might seem to lean a bit. I discovered that this isn’t really a sign of decay, just the nature of the many older structures that give the place its character. This photograph shows, for me at least, one other characteristic I found in Italy, namely the remarkable light. Here it is the stark midday light, but it is often softened by a kind of gentle atmospheric haze or by low clouds. I think I now understand much better the nature of the skies I’ve seen in paintings from this part of the world.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.