The lights of a small market at night along a London street
When traveling I’m fascinated by the relationships between familiar things and the different ways they exist in other places. This is true within the US — for example, corner stores tend to be rather different things here in Silicon Valley than they are in, say New York City. But it is even more so when traveling overseas, as I saw on our recent five-week travels that took us from New York to London, Paris, Heidelberg, and several places in Italy. The little store, open into the night, is everywhere. But what you might find there is different, except that all provide a bit of a beacon to passersby in the night.
I made a series of exposures of this brightly lit store, set between other closed and darkened businesses. All of the other images included quite a few people, in some of them essentially crowds were passing by. I chose to share this one because it is almost unpopulated, with the exception of a clerk visible inside the store and a man approaching at the edge of the frame. The light of the store spill out onto and beyond the sidewalk and spreads beyond the confines of the store itself.
Intensely colorful red and orange autumn aspen leaves in the eastern Sierra Nevada.
It is the first day of September. What happened to summer? Actually, I know what happened to my summer — we were traveling internationally for the past five weeks, and thus I missed my usual August time in the Sierra. And, yes, I do know that it still is summer for a few more weeks, and that in my (San Francisco Bay Area) neck of the woods it will remain mostly warm and sunny for at least another six weeks of so.
However, the arrival of September does signal the coming end of summer and the inevitable arrival of autumn and then winter. And I’m fine with that! Truth be told, summer is my least favorite season in many ways. Yes, it is warm and sunny, we have an abundance of fresh produce, and I often have more opportunities to travel. But from a photographic perspective, especially when it comes to my wildlife and landscape photography, the other three seasons offer more compelling opportunities. I especially love fall!
Next up is autumn. Although I haven’t been in the Sierra since late July, I have seen the first signs that fall is coming. A week ago in the Chianti region of Italy I photographed (badly, with an iPhone!) the first autumn leaves on an apple tree where we were staying. Yesterday as I walked in my neighborhood the temperatures were cooler, a strong wind came up, and some brown leaves were blown about with their characteristic dry and crackly autumn sound.
And even though I won’t get up there for a few more days, I know that the earliest signs of autumn are already appearing in the Sierra. Creeks are diminishing and drying up. Meadows are turning golden-brown. Corn Lily plants are shifting to brown and yellow, and here and there a few golden leaves may appear. And next up will be the annual spectacular display of aspen color.
If you are also an aspen color chaser like me, you may be interested in some of the California fall color resources on this website. To get started see my Sierra Fall Color page for basic information and links to other articles I’ve written on the subject. As I get up to the Sierra and as I hear updates from various sources I will share them on this page, too.
There is also information there about my book, California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra. This book offers some ideas about where and when to look for aspen and other color in the Sierra, and it includes some photographic basics that can help you once you get there.
California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra, my book on photographing fall foliage in California’s Sierra Nevada, is available from Heyday Books and from Amazon.)
The book shares a lot of what I have learned about finding and photographing Sierra Nevada fall color, along with a large collection of my autumn photography. Watch this page for updates and news on the book and for continuing information about photographing Sierra Nevada fall color.
Pedestrians walk through an area of shops at night, London
I made this photograph on a night when we attended a concert, a somewhat atypical one for us. The event was connected to a group that is, if we understood correctly, trying to counteract the negative prospects of Brexit and related social issues in Great Britain and perhaps beyond. It featured an extremely wide variety of performers, ranging from an opera singer accompanied by a small orchestra to jazz and more.
After the concert we left the venue and headed to a tube station. One of my main goals for this visit was to do some night street photography, so I pulled out my camera and looked for potential subjects as we passed through a commercial district with lots of small shops. Not surprisingly, there were tons of people out and about, and when I saw these two buildings I figured it would only be a matter of a short time before someone interesting walked into the frame. I ended up with the central copy walking almost in lockstep, plus a pair of more furtive figures in the shadows near the edges of the frame.
I was up in the Sacramento Valley last winter, visiting several wildlife refuges, when I had the opportunity to photograph several bald eagles. It was not uncommon to find them perched alone in the high branches of tall trees, from which they can presumable observe their surroundings and watch for prey. If I waited long enough, eventually the bird would take flight, giving me a few seconds to try to track the early while firing off a quick series of exposures.
This bird made it doubly tricky. Instead of heading for an open area, it looped back right in among the trees. It is perhaps even a bit difficult to find the eagle through that jumble of branches! I’ll be honest — I’m also sharing their photograph as an example of how amazing modern autofocus systems can be, at least with a bit of practice. The challenges here are quite something — the eagle is flying at a good rate and somehow the camera and I had to keep focus on it despite all of the nearer and farther interference.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
