The Kaweahs

The Kaweah Range, Kings Canyon-Sequoia National Parks
“The Kaweahs” — Ridge and Waterfall in the Kaweah Range near Kaweah Gap

This photograph comes from the High Sierra Trail, an east-west route across the Sierra between the west slopes of Sequoia National Park and Mount Whitney on the eastern Sierra crest. (Although it is technically not part of the High Sierra Trail, I regard the final ascent to Whitney on a lateral trail and the descent from the crest to Whitney Portal to be part of the route.) The north-south John Muir Trail is better known, and the High Sierra Trail is not as popular — though in many ways it is the same league. It covers an extraordinary route, climbing from the forested and gradually-rising west side slopes up the immense canyon of the Kaweah River, crossing Kaweah Gap in spectacular fashion, and descending Big Arroyo to the grand canyon of the Kern River, which if follows north to Junction Meadow before ascending once again to join the John Muir Trail heading south and then climb to Whitney Trail crest.

The trail up into the Kaweahs is stunning, with remarkably rugged and alpine scenery on the ascent from the west. It is, frankly, as impressive as anything else in the range. This section climbs the cirque above a popular lake destination, rising on a trail that follows an improbably route high into the mountains in the photograph before turning to cross Kaweah Gap after passing through a garden of small meadows and rocky tarns.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Granite Cliffs, Alpine Lake

Granite Cliffs, Alpine Lake
“Granite Cliffs, Alpine Lake” — Rocks from vertical cliffs line the base of a deep blue alpine lake

As I write this tonight for posting tomorrow, winter is over and spring is a few hours old. It is perhaps for that reason — the start of spring and the inevitability of summer — that I found myself looking though some old photograph files from a summer about eight years in the past. There is a practical reason to revisit the old files from time to time; I often find photographs that now look pretty interesting that I apparently skipped over originally, for one reason or another. But it is also an opportunity to revisit the older memories as well, since looking at the photographs brings back the recall of many other details of such Sierra trips.

On this trip I crossed the Southern Sierra from west to east with a small group of long-time trail friends. I am not sure why, but I had not been back on this trail in the decades since my first visit — so I was excited to revisit this spectacular route. Today I began tracking the progress of the trip via the old photographs, starting on the first day and looking at photograph up through day three, when we climbed from a beautiful lake to cross the Kaweah Mountains and head east. I came to this photograph, which is a vertical orientation interpretation on a scene in another of my photographs that may be somewhat recognizable. At the time when I made the original print I think I must have committed to the horizontal format and, thus, put the vertical on the back burner. but today I decided that I like this version, too, with a bit less emphasis on the water and a bit more on the vertical thrust of the rocky walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Funeral No Parking

Funeral No Parking
Street signs stored next to a funeral parlor doorway, New York City

Funeral No Parking. New York City. December 24. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Street signs stored next to a funeral parlor doorway, New York City

I can state with certainty that this is the only time I have made night photographs of funeral homes in Manhattan on Christmas Eve. Go ahead! Prove me wrong! ;-)

So, how did this happen? As many street/urban photographs happen. I have a camera with me wherever I go, day and night, in places like this, and when I see something that catches my eye I make a photograph. We had started the evening by briefly joining the throng up on 5th Avenue where there are tons of holiday lights and displays. After leaving that madhouse we headed down toward Chinatown to find a place where we have had dinner a few times before — but we arrived to find that it had apparently become very popular since our last visit. We were told that the wait might be two hours. So we set out to find something less crowded nearly. We eventually found a nice quite Vietnamese restaurant but first we passed this side street with the doors and glowing windows of this funeral parlor.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Photographer, Queens Plaza

The Photographer, Queens Plaza
A photographer waits for subway train, Manhattan

The Photographer, Queens Plaza. Manhattan, New York. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A photographer waits for subway train, Manhattan

I actually was not stalking this photographer, though he ended up in more than one of my photographs from this morning, and it two subway stations. We had taken the holiday historic subway train uptown and were waiting in a station for another train, so I spent a little time photographing my surroundings and the very interesting people — a combination of the usual subway riders and a slightly different crowd that came out for this event.

Standing on the platform I kept my eyes open for anyone who “looked like a photo,” and this fellow, standing apart and not interacting much at all, caught my attention. When I saw him here the only thing that gave him away as a possible street photographer was the camera bag, but no camera came out of it. However, later, as I photographed out the train window as it stopped at another station, I made a photograph of several women lined up near a turnstile plus other assorted people arranged in the scene — and I realized later that the same fellow appeared in the shot, this time taking out his camera as he headed to the station exit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.