Funeral No Parking

Funeral No Parking
Street signs stored next to a funeral parlor doorway, New York City

Funeral No Parking. New York City. December 24. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Street signs stored next to a funeral parlor doorway, New York City

I can state with certainty that this is the only time I have made night photographs of funeral homes in Manhattan on Christmas Eve. Go ahead! Prove me wrong! ;-)

So, how did this happen? As many street/urban photographs happen. I have a camera with me wherever I go, day and night, in places like this, and when I see something that catches my eye I make a photograph. We had started the evening by briefly joining the throng up on 5th Avenue where there are tons of holiday lights and displays. After leaving that madhouse we headed down toward Chinatown to find a place where we have had dinner a few times before — but we arrived to find that it had apparently become very popular since our last visit. We were told that the wait might be two hours. So we set out to find something less crowded nearly. We eventually found a nice quite Vietnamese restaurant but first we passed this side street with the doors and glowing windows of this funeral parlor.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Photographer, Queens Plaza

The Photographer, Queens Plaza
A photographer waits for subway train, Manhattan

The Photographer, Queens Plaza. Manhattan, New York. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A photographer waits for subway train, Manhattan

I actually was not stalking this photographer, though he ended up in more than one of my photographs from this morning, and it two subway stations. We had taken the holiday historic subway train uptown and were waiting in a station for another train, so I spent a little time photographing my surroundings and the very interesting people — a combination of the usual subway riders and a slightly different crowd that came out for this event.

Standing on the platform I kept my eyes open for anyone who “looked like a photo,” and this fellow, standing apart and not interacting much at all, caught my attention. When I saw him here the only thing that gave him away as a possible street photographer was the camera bag, but no camera came out of it. However, later, as I photographed out the train window as it stopped at another station, I made a photograph of several women lined up near a turnstile plus other assorted people arranged in the scene — and I realized later that the same fellow appeared in the shot, this time taking out his camera as he headed to the station exit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese Above, Cranes Below

Geese Above, Cranes Below
Late winter flocks of Ross’ and other geese and lesser sandhill cranes in the San Joaquin Valley

Geese Above, Cranes Below. Central Valley, California. February 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Late winter flocks of Ross’ and other geese and lesser sandhill cranes in the San Joaquin Valley

Although it isn’t quite over yet, as the first day of spring approaches I have been thinking back over this winter season and especially the experiences of again photographing Central Valley migratory birds. There is far too much write about all of it in a single post, so I’ll just share a bit about the transitions and process of the season, at least as I observed it.

In the early fall I begin to look forward to this season of birds and fog and winter light, though the anticipation is tempered a bit by early season opportunities to photograph other subjects, especially the fall colors of the Sierra and elsewhere. But sometime in late October I start to think a lot about the great annual migration, and I start to watch for signs that it is beginning. This past year I think it was probably late November or early December when I made my first trip, and I recall enjoying the landscape once again but being disappointed that the birds hadn’t really shown up yet. After four years of drought I wondered if the bird population had been damaged. Then a bit later in September I began to see a few more geese, but they were not very plentiful and they were not always where I hoped to find them. It wasn’t until January that they began to be a bit more common, but soon the numbers increased and by February I was seeing absolutely huge numbers. By the time I made this photograph in late February I was frequently seeing tens of thousands of geese, along with many hundreds of perhaps thousands of cranes — which is exactly what we see in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Colorful Granite Cliff and Trees

Colorful Granite Cliff and Trees
A colorful High Sierra granite cliff and trees in soft light

Colorful Granite Cliff and Trees. Yosemite National Park, California. September 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A colorful High Sierra granite cliff and trees in soft light

Sitting here on a late-winter day, this late September week spent photographing in the Yosemite back-country seems so far away. (At the same time, as I watch the inevitable progress of the seasons, the upcoming summer season seems closer and closer!) Three photographers headed out to a back-country lake, where we set up a base-camp for something like nine days of photography. It might seem like photographing in one tiny area for a week might exhaust its possibilities. In fact, at the start of such a trip I often harbor such fears — but by the end of every one of them I am again reminded that it virtually never works that way. The more time spent looking in such a place, there more there is to see, and at the end of such a trip there are, inevitably, things left to be photographed on the next visit.

Not far from our camp was a rocky area that we often crossed in order to make our way around the perimeter of a nearby lake and to get to areas a bit further away. After climbing slabs the route dropped into the lower extent of a deep gully traveling down from higher terrain, and eventually I began to know these rocks and this gully very well. We had “interesting” weather during our stay, and on the day I made this photograph the light was muted by various factors including clouds and wildfire smoke.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.