Tag Archives: abstract

Four Frames

Four Frames
Reflections, San Francisco

Four Frames. © Copyright 2022 G Dan Mitchell.

Reflections, San Francisco

For me, one result of carrying a camera around is that I often realize that things we barely notice often turn out to be unbelievably strange. Urban buildings can take on an entirely different look if you start to pay attention to the reflections in their windows — the abstract patterns of shapes and colors, the hallucinogenic distortions, and the bizarre juxtapositions. This is yet another example of seeing things for “what else they are.”

I think that writing too much about the background of this photo risks ruining its effect — so I won’t. I will say that it contains quite a few of the “juxtapositions” I mentioned above. Refusing to give in to temptation, that’s all I’m going to say!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Moving Water

Moving Water
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

Moving Water. © Copyright 2022 G Dan Mitchell.

A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.

I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Small Wave

A Small Wave
On a day of quiet seas, a small wave crosses a kelp bed along the California coast.

A Small Wave. © Copyright 2022 G Dan Mitchell.

On a day of quiet seas, a small wave crosses a kelp bed along the California coast.

My recent photographs from Point Lobos have mostly used the grand landscape as the subject, focusing on central subjects set in expansive surroundings. If you are familiar with those locations you might have been able to identify the specific places where I photographed, and you might have recognized the actual subjects of the images. This is not one of those photographs.

This photograph could be from any of an uncounted number of places along the coast of California — or any other coastal zone for that matter. I think this photograph can work in at least two ways. On one level it is a “capture” of a real thing that happens in these places: we see the submerged sand and kelp through clear water, while the more turbulent water that follows the little wave reflects more sky color. But I like the fact that it also woks as an abstraction of shape, color, and form.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Angle of Repose

Angle of Repose
Sand dune patterns, Death Valley National Park.

Angle of Repose. © Copyright 2022 G Dan Mitchell – all rights reserved.

Sand dune patterns, Death Valley National Park.

This “intimate landscape” is a sand dune vignette made in a specific place but which could be found almost anywhere. A close look may reveal some details that desert and sand aficionados may find interesting. The large patterns are typically found on one side of dunes where sand blown over the top of the dune collects below. The smaller “ripples” are a common feature of dunes, too, and these are completely undisturbed since the dunes are somewhat remote. Looking even closer may reveal some tinier patterns and tracks across the face of the sand.

The term “angle of repose” refers to the steepest angle at which a material, such as this sand, might collect without collapsing or sliding downhill. It is also the title of a wonderful Wallace Stegner novel, and that is where I first encountered the term. Fans of the history of the American West, especially the part that came after initial explorations, and especially those who have roots in the west may enjoy the novel as much as I did, with its connections to places and types of people that I know from my own experience.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.