Tag Archives: abstract

Geese in Motion

Geese in Motion
Long exposure photograph of an airborne flock of migratory geese.

Geese in Motion. © Copyright 2023 G Dan Mitchell.

Long exposure photograph of an airborne flock of migratory geese.

A day of my wildlife photography typically begins and ends in darkness — I arrive and set up before sunrise and “don’t pack until it’s black.” During the earliest and latest times there’s often barely enough to light to make photographs, especially with the long lenses that I favor for this subject. In the early morning I often just crank up the ISO and do the best I can. But in the evening I frequently go the opposite direction in my final shots of the day — lowering the ISO and intentionally working with rather long exposures that allow the birds’ motion to blur.

Given the popularity of sharp pictures of birds — something that I often aspire to, as well — this might seem counterintuitive. But it occurred to me some years ago that the mass of blurred motion actually better evokes the wild seeming-chaos of these mass flights. They are not so much about any particular bird as they are about the half-seen motion of the group.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Surf #1

Surf #1
Abstract patterns of winter surf, Big Sur coast, California.

Surf #1. © Copyright 2023 G Dan Mitchell.

Abstract patterns of winter surf, Big Sur coast, California.

This photograph comes from a recent visit to the Monterey Peninsula and upper Big Sur Coast during a brief break in the recent string of atmospheric river storms in California. On one hand, it was quite something to see the aftermath of several weeks of heavy rains: landslides, fallen trees, closed parks, closed highway lanes, flooding, and more. But between two storms the light was a bit challenging — which had the virtue of persuading me to try a few things different than what I typically do.

This is one of the photographs in that category. I had been photographing along a section of the coast with high cliffs above the ocean (which, as Big Sur aficionados know, could be almost anywhere…) and dealing with lighting challenges and atmosphere thick with moisture. I looked down and was taken by the power of the waves. The area in the photograph was just at the break, so this power was expressed as constant motion as storm swells rolled in and some foam from nearby breaking waves streaked the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Too Many Layers

Too Many Layers
Multiple layers of reflections produce a complex whole.

Too Many Layers. © Copyright 2022 G Dan Mitchell.

Multiple layers of reflections produce a complex whole.

The urban landscape can be quite complex and even deceptive. I think that we imagine it to be the most rational of landscapes, where everything is objectively “real” and describable. But when you begin to look more closely, if frequently isn’t quite what it seems to be. The surfaces of things are often elusive, and you may find yourself looking more at the reflections of other things than at the object you think you are viewing.

It is somewhat difficult to make sense of this image at all once you start looking closely. There are, obviously, things from the street — parts of automobiles, a bit of a crosswalk. But nothing in this scene is viewed directly — everything is a reflect, or a reflection of a reflection, or a reflection viewed through another reflection.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Four Frames

Four Frames
Reflections, San Francisco

Four Frames. © Copyright 2022 G Dan Mitchell.

Reflections, San Francisco

For me, one result of carrying a camera around is that I often realize that things we barely notice often turn out to be unbelievably strange. Urban buildings can take on an entirely different look if you start to pay attention to the reflections in their windows — the abstract patterns of shapes and colors, the hallucinogenic distortions, and the bizarre juxtapositions. This is yet another example of seeing things for “what else they are.”

I think that writing too much about the background of this photo risks ruining its effect — so I won’t. I will say that it contains quite a few of the “juxtapositions” I mentioned above. Refusing to give in to temptation, that’s all I’m going to say!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.