Tag Archives: agriculture

Feedlot

Feedlot
A series of shelters over a feedlot on a foggy Central Valley winter morning.

Feedlot. © Copyright 2022 G Dan Mitchell – all rights reserved.

A series of shelters over a feedlot on a foggy Central Valley winter morning.

One of the benefits of photographing in fog is that it can make almost any subject mysterious and moody. Another is that the limited visibilities can mute or eliminate distractions from the visual focus on the elements that are the most interesting. It is hard to imagine a stronger illustration of these principles than a photograph of this particular subject.

I photograph quite a bit in California’s Great Central Valley during the winter months. During much of the year, this is perhaps not an obvious photographic destination (though looking closer may be worthwhile!). But in winter, when dense tule fogs often settle on the landscape, the place can be transformed in magical ways. If you have passed by one of these feedlots on a warm, sunny day… you probably rolled up your windows and held your breath. But morning tule fog on a winter day might can make it worthwhile to stop (while trying hard to ignore the smell!) and make a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Orchard, Fog

Orchard, Fog
Thick winter tule fog spreads through a Central Valley orchard.

Orchard, Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Thick winter tule fog spreads through a Central Valley orchard.

The primary goal of my visit to the Pacific Flyway on this early-January day was to photograph migratory birds in the tule fog. I regularly check the weather predictions at this time of year, since it is the time of “interesting weather,” and this can make all the difference when it comes to the photographic potential of a location. On the day before I made this photograph, my check revealed a very good chance for dense tule fog — the kind that sane drivers try to avoid but which attracts photographers. So I was up very early, ready to drive through the fog for the chance to photograph it.

Local conditions can vary a great deal on days like this. Out where I was photographing birds the sky was beginning to clear, but I still wanted fog. So I drove a ways in a direction where the sky seemed darker, and before long I was once again engulfed. I had this orchard in mind as drove, and when I got there I took a gravel side-road to a spot where I could see an uninterrupted expanse of tree silhouettes fading into the distant fog where the sun was trying to break through.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Silo and Shadows

Silo and Shadows
Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

Silo and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

This photograph comes from the area where I first learned about bird photography. I’ve told the story before, but here’s the outline. I had almost no interest in photographing birds — it was completely outside my experience. One morning I was at my local espresso stand when I struck up a conversation with a friend who was also in the line. She happened to mention a birding location that she liked just south of Sacramento, California. For some reason, I was intrigued, and since I had some time to drive a few days later I headed out there, not knowing what I would find. It was a winter morning and as the sun rose I found thousands of birds everywhere — on the ground and in the sky. I had not idea what kind of birds they were (I think I assumed that all birds were geese…) but I was hooked. This was the start of a passion for photographing them.

You may wonder how that connects with this photograph. As I explored that area I came to some flooded rice fields, and nearby found a structure including several silos. I photographed it, and periodically I’ve returned to photograph it again. I photographed this view on a sunny morning, when the reflections of angled pipes, ladders, supports, and wire produced a complex pattern across the curving, corrugated metal skin of this silo.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Coastal Farm, Burned Ridge

Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.