Tag Archives: aguereberry

Basin and Range

Basin and Range
A long distance view across Death Valley and to distant mountains beyond

Basin and Range. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A long distance view across Death Valley and to distant mountains beyond

The landscape of Death Valley National Park is immense. The fact that it is the largest national park in the lower 48 states begins to penetrate my awareness the more time I spend there. A number of years ago I spent some time on a very long cycling trip in Alaska and the Yukon, and this desert landscape comes closer than any other I have experienced to evoking the same sense of huge distances and deep stillness and quiet. This landscape extends even further beyond the boundaries of the park, from the Sierra Nevada to the west to distant peaks of the basin and range country to the east.

This high elevation location opens to such a huge swath of terrain that it is difficult to get your mind around the scale of what you are seeing. For example, there is a road out there in the large valley. To get there from the place where my tripod was set up would take me hours of driving — and that would take me perhaps less than half way toward the most distant peaks. Enhancing the other-worldly quality of this morning was the unusual atmosphere. The clouds of a weather front were breaking up over the mountains and valleys, and their shadows were moving across the landscape. Meanwhile, in another valley far behind me, dust storm conditions (which would envelope this entire scene by the end of the day) were beginning to pick up, and already the atmosphere was getting that milky, hazy quality that precedes such weather. At the bottom of the scene is an immense gravel fan that has carried material down from these mountains, filling the valley in places to thousands of feet of depth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Death Valley, Morning Clouds

Death Valley, Morning Clouds
Morning sun shines through atmospheric haze and clouds above Death Valley

Death Valley, Morning Clouds. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning sun shines through atmospheric haze and clouds above Death Valley

Death Valley is a very big place, and getting to locations sometimes requires a lot of driving. Photographing there often requires a very early wakeup call, and I’m often on my way to some location in the park well before first light. Leaving during darkness, often for a place very different from where I’m staying, means I have to make some educated (and not so educated) guesses about what conditions might be like many miles away and at sometimes very different elevations. As result, I often do not know precisely what conditions I’ll find when I arrive at an early morning location.

Such was the case on this morning. The destination was more than 6000′ feet higher than where we were staying and many miles away. In the past I’ve arrived at this spot to find very strong winds and very cold temperature. This time the temperature wasn’t so bad but we did have winds. Just before arrival at the final destination the sky lit up briefly, so we halted and photographed from that location before continuing on… and watching the light die as the sun rose. We consoled ourselves — we had caught a brief bit of good light and it was a beautiful spot to be in, photographs or not. Since we were there we went ahead and made a few photographs, and as we did so the conditions began to improve in somewhat dramatic fashion. The earliest hint of the afternoon’s upcoming dust storm appeared in the distant milky haze through which beams of light passed. Higher clouds began to collect, and dramatic light cut across the face of the arid mountains below us.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dawn Sky, Panamint Range

Dawn Sky, Panamint Range
Dawn Sky, Panamint Range

Dawn Sky, Panamint Range. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

First dawn light on clouds above Death Valley, as seen from high in the Panamint Range

I recently “discovered” (or perhaps “remembered?”) this photograph that I made nearly a year earlier during an early January 2012 trip to do winter photography in Death Valley National Park. Winter is a wonderful time in Death Valley, though the season can present its own challenges – not the same as summer, but challenges nonetheless. The challenges include, believe it or not, the possibility of some very, very cold weather, especially in some of the higher outlying areas of the park an up in the mountains, such as here in the Panamint Range. But there are special rewards, too, including the possibility of snow among the peaks and the more interesting skies that can come with the passage of winter low pressure systems that originate in the Pacific Ocean.

On this morning I had gotten out of my sleeping bag well before dawn so that I would have time to drive to this overlook high in the Panamints before sun rise. It was still dark as I drove the last section of the gravel road approach, and its wasn’t until after I arrived that there was enough light to see that this might turn out to be a spectacular sunrise. (When you get up in darkness and drive many miles, you have to take it on faith that something special might occur, and accept the possibility that it might not.) My original subject ideas for this location were not so much about sky as about deep valleys and receding ridges, but when the first sun hit these high clouds I was willing to angle the tripod up a bit to photograph them! This light on the clouds only lasted a few minutes, and after that I turned my attention back to the landscape below.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trail Canyon

Trail Canyon - Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.
Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.

Trail Canyon. Death Valley National Park. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.

This is another photograph that I’ve been thinking about for a while, and one that I was virtually certain would be in black and white when I shot it. I’ve looked down into Trail Canyon quite a few times and tried to “see” a photograph that would somehow consist entirely of the overlapping ridges and layers of stratified rock, tilted at crazy and seemingly opposing angles. My previous photographs of this location had been made late in the day – when the light is beautiful in many directions from this overlook, but when the canyon itself is often shrouded in early shade.

I made this photograph in the morning. It was my first time at this location high in the Panamints at dawn instead of at sunset. I arrived on a cold winter morning before dawn to find no other people there and no wind. (The latter is a bit unusual here, but was certainly welcome, seeing that I would be shooting with long focal length lenses.) The first subject to shoot was the pre-dawn light on clouds high above the landscape. Then my attention moved to the first light striking various higher points within my range of view, and then followed the light as it worked its way down to lower elevations. After that I turned my attention more to guts of this canyon, but was not getting quite what I wanted at first – until the sun rose high enough to peak over ridges and begin to highlight the inner folds of the canyon as seen in this photograph. I made several different compositions, but in the end decided on this one that eliminates any extraneous elements outside of the canyon itself.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.