Tag Archives: alluvial

Beneath Desert Mountains, Morning

Beneath Desert Mountains, Morning
Desert mountains and morning light spreading across an alluvial fan.

Beneath Desert Mountains, Morning. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountains and morning light spreading across an alluvial fan.

This is more or less where I had hoped to be in January, even up until a couple of months ago. At that time, careful travel into lonely places was still a reasonable option, especially since I stop only for gas and would have camped well off the beaten track, barely interacting with anyone at all. But wanting to be part of the solution rather than part of the problem, I’m following the guidelines to not travel more than 120 miles from my home, and I’m also not going to play games and try to sneak into the Death Valley backcountry… regardless of how appealing that sounds and of how badly I miss the place right now.

This photograph is one of those that illustrates the advice to look all around while making photographs. Sometimes the thing you came to see isn’t the only thing to attend to. I had come to this spot before dawn to photograph a subject that lies directly behind the camera position of this scene, and had worked on it as the scene transitioned from soft, pre-sunrise light through a somewhat colorful sunrise to light that was becoming more harsh than I desired. So I turned around. Here the backlit atmosphere glowed in the light streaming over the rugged desert hills to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Hills and Salt Flats, Morning

Desert Hills and Salt Flats, Morning
Desert hills on a giant alluvial fan dropping to Death Valley salt flats

Desert Hills and Salt Flats, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Desert hills on a giant alluvial fan dropping to Death Valley salt flats.

Each time I visit Death Valley ‚ and when visiting certain other challenging landscapes, I’m reminded that my memories tend to focus on the most pleasant, easiest, and most beautiful scenes… and that there are a lot of intervening periods when the photography can be quite challenging. I had to remind myself of that on this morning, as it began with extremely unpromising light. The sky was largely overcast, there was some bluish haze in the air, and sunrise came with barely any warming of the color at all. But you (almost) never know whether such light may turn into something more interesting… so you try to stick with it and be ready.

A bit later, around the time when I might typically be starting to think of concluding my early morning photography on an easier day, the clouds began to thin and move into better positions, and areas of light started to play across the landscape. As I often do in such conditions, I remained in a high place with a panoramic view of the immense landscape, putting a long lens on the camera so that I could make photographs of small areas where the light seemed more interesting. The dark hills low in the frame sit on the giant alluvial wash leading down to the salt playa of death valley, where the landscape eventually fades into the distant haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Death Valley, Panamint Foothills, Morning

Death Valley, Panamint Foothills, Morning
Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains

Death Valley, Panamint Foothills, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains.

One’s orientation to “landscape” may manifest in many ways — a focus on the large or the small, an approach that implies objective realism or one that embraces subjectivity, the discovery of new landscapes or the deeper exploration of those already known, an interest in ostensibly “untouched” subjects or attention to those affected by the human presence, and more. Death Valley is diverse enough for any of these, but I often find myself focusing on the largest scale subjects. The place is huge, and at the right hours, in the right seasons, and in the right places the park is a place of deep silence and immense stillness.

This was the last morning of my most recent visit, and I went out alone very early, heading to a place that afforded a somewhat elevated perspective. As I traveled there I was not optimistic about the prospects for the morning — the sky was mostly overcast, there was a bluish haze in the air, and even the earliest light was blocked by clouds to the east. But one thing I relearn nearly every time I go out is that if you go out enough and are persistent enough, things happen, and sometimes they happen at the least likely times. As this morning wore on, some time after the first light that could have been colorful, the sun began to break through the clouds, and areas of light and shadow moved across this immense landscape. As I made this photograph the light was shining on the foothills of the Panamint Range, many miles away and on the far side of Death Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Kit Fox Hills, Amargosa Range

Kit Fox Hills, Amargosa Range
Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

Kit Fox Hills, Amargosa Range. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

These low, deeply eroded, and colorful (in the right light) Death Valley hills lie at the western base of the Amargosa Range near the start of the road heading north toward the Scotty’s Castle area. I recently read that they may be the remnants of an old earthquake fault along the eastern side of Death Valley, marking a division between the rising mountains and the sediment-filled valley. I have walked along the base of these hills, though I still need to find the time to more extensively explore their rugged and eroded landscape.

Late in the day they intercept almost the very last sunlight to reach the valley floor before sunset. With that in mind, I have photographed them many times, often from a good distance away across the valley. That was the case on this evening, when I found a spot elevated above the valley floor and climbed to its summit to watch the late-day light. It was one of those evenings when the light was unpredictable. There were clouds to the west above the Cottonwood mountains, which can turn out to be either a good thing or a bad thing. The clouds may light up at sunset and the minutes just after… or they may simply block the sun and “turn out the lights” on sunset photography. It looked like the latter might turn out to be the case as I watched the sun descend toward a band of thicker clouds. But there was a small gap between the base of the clouds and the top of the mountains, and the sunlight shone through this gap for a few minutes, casting beautiful soft light on these hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.