Tag Archives: alpine

Leaving Lembert Dome, Dusk

Leaving Lembert Dome, Dusk

Leaving Lembert Dome, Dusk. Yosemite National Park, California. July 30, 2007. © Copyright G Dan Mitchell – all rights reserved.

Hiker leaving the summit of Lembert Dome at dusk. Tuolumne Meadows, with the Sierra crest in the background. Yosemite National Park, California.

I shot this last summer on an evening when I had just finished photographing the Sierra sunset from the top of Lembert Dome in the Tuolumne Meadows area. The “good light” had seemingly ended and I had packed up my camera, lenses, and tripod and was heading down from the peak when there was a wonderful bit of post-sunset warm, soft light… just at the moment when this lone hiker crossed this section of the granite come below me. Not having time to set up my tripod and other gear properly, I simply grabbed three frames at very low shutter speeds, and I was very pleased when I found that one of them actually turned out beautifully. In this case, I was shooting hand held at such low shutter speeds that I had to rely on the image-stabilization feature of the lens I had on my camera at that moment.

(Update#2: Since I posted this color version I was contacted about licensing the use of  a black and white version of the photograph in a print journal. There are, I think, a few lessons in this shot and this experience.

  • First, not all landscape photography is done at a sedate and leisurely pace, pondering for many minutes the intricacies of composition and so forth. Sometimes things happen so quickly that you must depend upon instincts and react quickly to a situation that only lasts a moment. In this case I could not possibly have anticipated the light or the appearance of the lone hiker – when I saw this conjunction of subjects I had no time to set up a tripod.
  • Second, sometimes traditional landscape approaches (tripod, small aperture, etc.) won’t get the shot and the adaptability of your gear may save the day… or evening. I pulled out my camera and handheld the shot using the lens that was already on the camera with image stabilization and a rather low shutter speed.
  • Third, it probably isn’t news to any one, but sometimes an image that you conceive as color may turn out to work well in black and white, and vice versa. Be flexible.

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Panamints to the Sierra, Evening – Aguereberry Point

Panamints to the Sierra, Evening - Aguereberry Point

Panamints to the Sierra, Evening – Aguereberry Point. Death Valley National Park, California. April 3, 2008. © Copyright G Dan Mitchell – all rights reserved.

Looking northwest across the Panamints toward the Sierra Nevada crest at sunset from Aguereberry Point, Death Valley National Park, California. Entirely apart from any photographic merits, being alone on top of this very isolated point thousands of feet above Death Valley as the sun set was an amazing experience.

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Moonlit Cove, Thousand Island Lake

Moonlit Cove, Thousand Island Lake

Moonlit Cove, Thousand Island Lake. Ansel Adams Wilderness, California. July 27, 2007. © Copyright G Dan Mitchell.

I spent a few hours on this cold, clear July evening photographing the light of the full moon, star trails, and reflections on the surface of Thousand Island Lake.

When using a digital camera to make such long exposures one must adopt a very patient attitude. First, find the spot for your photograph and set everything up in the dark. Then make an exposure of perhaps 15 minutes. Because DSLRs are subject to noise on these long exposures, you then wait another 15 minutes while the camera completes a “dark frame” exposure to determine how to compensate for the noise in the original exposure. Yes, it takes 30 minutes (and lots of battery power!) to make a 15 minute exposure.

You could become impatient. Or you could, as I do, sit back and enjoy the peace and quite of a beautiful moonlit Sierra night.

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Moonlight, Thousand Island Lake, Mounts Ritter and Banner

Moonlight, Thousand Island Lake, Mounts Ritter and Banner
Moonlight, Thousand Island Lake, Mounts Ritter and Banner. Ansel Adams Wilderness, California. July 26, 2007. © Copyright G Dan Mitchell.

Photographed on a full moon summer evening in the Ansel Adams wilderness. Taking these photographs was a wonderful and unusual experience – I had to find the shot and then still silently for many minutes as the camera exposed the frame – as long as 15-20 minutes. It is rare to simply sit quietly for such a long time in such surroundings. :-)

(The posting of this photograph is somewhat timely since I’ll be participating in a night photography shoot a Mare Island Naval Shipyard this weekend sponsored by The Nocturnes.)

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