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Aspens In The Shadows

Aspens In The Shadows
“Aspens In The Shadows” — Extensive autumn aspen groves in evening shadows, Eastern Sierra Nevada.

If you have been following along this fall, by now this general area may start to look familiar to you. I was fortunate to be there when the colors were at their peak — that brief interval when almost all of the leaves have turned but before too many of them fall. Finding trees in this condition is partly a matter of local knowledge, but it is also a matter of luck — autumn storms and wind can quickly take down a lot of leaves when they are at this stage, and seeing an intense display like this requires a few prior days of calm conditions.

I know that the typical inclination is to photograph these trees in daylight. After all, the most intense colors appear when the sun is behind the groves, creating a glowing backlight on the leaves. But the color can also be quite intense in softer light, such as this light in the early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Walls, Light and Dark

Canyon Walls, Light and Dark
Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

Canyon Walls, Light and Dark. © Copyright 2022 G Dan Mitchell.

Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

This is a Death Valley canyon that I have visited on numerous occasions, and this particular narrow bend is one I recall from my first visit. Because the foreground section is so narrow and angled away from the light, the contrast with the more luminous wall beyond is striking. That wall receives more light due to its angle as the canyon bends, and the warm-toned light contrasts with the blue toes in the deeply shaded foreground section.

I find this contrast between shadow and brighter light to be a wonderful generator of color contrasts in these canyons. The first such canyons I photographed were in the desert Southwest, where the light picks up the color of the reddish sandstone. But the canyons of Death Valley do not typically have such colorful rocks, and much of the color potential comes from the quality of the light itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.