Tag Archives: america

Streamside Trees, Red Rock Cliff

Streamside Trees, Red Rock Cliff
Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

Streamside Trees, Red Rock Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

The trees along the Virgin River in Zion National Park are a big attraction for me, especially as the autumn color transition begins. There is quite a variety of these trees, ranging from conifers to deciduous trees, from small to large, in locations ranging from open flats to ledges far up on the red rock cliffs and on the more open highlands far above. Landscape photographer friends like to joke that we just make pictures of “rocks, water, and trees” — and all of those play a big part in this landscape.

This little mini-grove lies a bit off to the side from a popular and busy Zion Canyon trail. Working in such a canyon, with its shade and diffused, soft light, is very appealing to me, and the contrasts between green foliage and red rock make it even better. These trees grow in one of the many bends in the canyon as it winds back and forth, and the sandstone cliffs form a sort of wide alcove here. The Virgin River — at a fairly low rate of flow — runs past in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sidewalk and Fence, Autumn Light

Sidewalk and Fence, Autumn Light
Autumn light shine through a fence to illuminate a sidewalk and fallen leaves.

Sidewalk and Fence, Autumn Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn light shines through a fence to illuminate a sidewalk and fallen leaves.

Some years ago I went on a local walk that changed the way I think about these things. Like most of us, when I think of what I want to photography, my thoughts ofter turn to placed that are distant, exotic, and different from what I experience in my daily life. For me this means lots of fascinating landscapes — deserts, mountains, ocean, and more — or it may mean travel to distant urban areas. But on the day when I went on that walk, I carried my camera. When I walk for exercise I usually don’t pay close attention to my surroundings. Instead I tend to let my thoughts drift (a good thing sometimes!) and the focus is internal. But with camera in hand (and I mean literally in my hand, not just in the bag), I start to see things that I have overlooked. On that particular walk, on a winter day, I suddenly realized, for example, that there were shadows everywhere and that they were worth photographing.

Speaking of shadows, this is the season when they become more prevalent and more interesting. Because the Northern Hemisphere sun never gets very high in the sky, shadows are cast by almost everything and on almost everything. As I came around a corner on another walk-with-the-camera this week I was stopped in my tracks by the shape of the shadow from this metal fence, falling across a sidewalk and a few autumn leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Entering the Narrows

Entering the Narrows
Light reflected in the water of the Virgin River as it emerges from a narrow section of the canyon.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light reflected in the water of the Virgin River as it emerges from a narrow section of the canyon.

We visited this popular area of Zion Canyon twice on this particular day. The first was very early in the morning after we caught almost the first shuttle bus into the valley and arrived during blue hour light. We walked slowly up to just about to the actual beginning of the narrows and back again, taking lots of photographic detours along the way. This trail is a bit of an odd one on which to photograph. Early in the morning there is a nearly unbroken procession of people heading to the narrows. But step off the trail a bit and you can be almost entirely alone. As we walked, I made mental notes about spots that might be interesting to photograph much later in the day.

Indeed, we went back late in the day, knowing that the sun would now come from the opposite direction, light the upper canyon walls, and reflect warm-colored and soft light down into the bottom of the canyon. We were not disappointed. The effect of that reddish reflected light shining softly on sandstone walls is spectacular in a quiet sort of way, and there was a lot of photography to be done! This photograph looks up the canyon toward one of the sunlit walls, and the reflection colors the surface of the Virgin River as it passes between the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocks, Spray, and Light Beams

Rocks, Spray, and Light Beams
Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

Rocks, Spray, and Light Beams. © Copyright 2021 G Dan Mitchell – all rights reserved.

Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

California’s Big Sur Coast is easily accessible to me, close enough that I can drive down there early in the morning, photograph for a few hours, and be home for a late lunch. (Yeah, I’m spoiled.) Some of my very earliest photography memories come from this part of the world, when I carried a simple camera on family trips to Point Lobos. At this point, decades later, you’d think that I’d know everything there is to know about the regions. But you’d be wrong. Virtually every time I go there I discover something new — a view I had not seen before, a new kind of atmosphere or light, a different way of looking at a familiar subject.

This photograph fits that last category. The location is a spot that I’ve stopped at for years, mostly to photograph a particular larger scene that includes a natural bridge, some sea stacks, and a bridge. (No, not _that_ bridge — I know which one you are thinking of!) On this early November visit I was a bit surprised by the size of the surf. Big surf is common in autumn through winter here, but I had not seen that it was in the forecast. To make this photograph I decided to leave out the thing that is usually my primary subject here and to include some things that I usually try to leave out! The photograph is, as a result, an example of letting some small, isolated element represent and perhaps evoke the experience of the larger landscape in which it is found.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.