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2022 Fall Color

It is that time of year again — my favorite season! This past week on walks here in the San Francisco Bay Are I have noticed the signs of the seasonal change. The sun is setting an hour earlier, our first (early!) Pacific weather front is arriving this weekend, some trees are starting to change colors, and the sound of old leaves skittering along the ground in the breeze is everywhere.

Autumn Aspens, Lake, Wildfire Smoke
Wildfire smoke drifts over the Sierra Nevada crest above a lake surrounded by autumn aspens. @ Copyright G Dan Mitchell.

Fall color is more prevalent here in California than many realize. The earliest hints come to the high country of the Sierra Nevada in late August, when something in the air changes, corn lily plants turn yellow, the bilberry starts to pick up a bit of red, and you might even find an odd yellow aspen leaf here and there. Things pick up as we progress through September, and by the very end of the month it is often possible to start finding a few examples of good aspen color up high. Then the color works its way down to lower country, the valleys, and the coast over the following months. I’ve sometimes photographed “fall color” in the Central Valley as late as… January!

The main aspen color season in the Sierra peaks during the first half of October. It tends to start at higher elevations as early as the very end of September, becoming quite pronounced early in October, and working down to lower elevations into the third week of the month. If you can only go once, targeting your visit for about one week into the month is a good plan.

No one knows for sure how the season will evolve. Some things stay relatively constant from year to year, while others vary quite a bit based on temperature fluctuations, the amount of precipitation that fell during the year, whether or not early storms sweep through, and more.

I share annual updates on my Sierra Nevada Fall Color page at this website. I just posted this years first message there today — it is mostly some early thinking about how the season may evolve, along with a record of what has happened in some previous seasons. The latter may be useful as you plan your autumn color search in California.

One more thing: I may have something new to write about regarding fall color in a few weeks. Stay tuned…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake, Morning Haze

Lake, Morning Haze
Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

Lake, Morning Haze. © Copyright 2022 G Dan Mitchell.

Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

As a photographer whose roots are in black and white photography — that’s how I started decades ago — the thought of “going monochrome” with photographs is always there, even though the great majority of what I do these days ends up in color. But every so often a photograph just seems like it should be black and white. The reasons are not always completely clear, but often they are images with a strong formal structure and photographs in which the contribution of color might not be the most important thing. I went back and forth on this one quite a bit, eventually putting the color and monochrome renditions side by side on the screen… at which point the choice seemed clear.

This lovely Sierra Nevada lake has an ideally situated outlet stream for morning photography. At the outlet the broad basin holding the lake pinches off between angled canyon walls. Beyond the valley drops toward the rising sun, and the mountains beyond are seen though the luminous morning light. Other photographs I made of this subject included only a bit of the lake and used the wide landscape format. But it seemed to me that including this bit of the near shoreline strengthens the sense that the viewer is looking out and across the water into that light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Solitary Tree, Morning

Solitary Tree, Morning
A solitary tree stands in morning light against a background of rugged, rocky Sierra slopes.

Solitary Tree, Morning. © Copyright 2022 G Dan Mitchell.

A solitary tree stands in morning light against a background of rugged, rocky Sierra slopes.

One of my favorite places to wander on our recent Sierra backcountry visit — with a group of photographer friends back in August — was an area of creeks and boulder-strewn meadows and small trees that led from near our camp toward the alpine country below barren ridges. Once the nearby creek’s flow diminished following some heavy rainfall, I spent a couple of mornings wandering through this terrain and photographing.

I timed my visits so that the sun would rise after I had gotten a little ways into this area, at about the time that the first sun would strike the trees. On this morning I paused in a meadow that was open to the east, and as the first sun arrived it produced lovely backlight on this tree, set against high and rugged country running up toward a much higher ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Timberline Meadow

Timberline Meadow
A timberline meadow with small trees is bounded by a granite bench.

Timberline Meadow. © Copyright 2022 G Dan Mitchell.

A timberline meadow with small trees is bounded by a granite bench.

I recall the time, quite a few years ago, when I first understood that the places in the natural world (and the human world, for that matter) that we identify with are not necessarily the most iconic, biggest, most classically impressive places. I was at the end of a moderately short backpacking loop out of Tuolumne meadows, within perhaps little more than an hour of the trailhead. It was a day of potential rain, and that potentiality became reality at this point. I stopped, put on rain gear and covered my pack, stepped off the trail, sat down, and leaned against a rock to watch the rain approach. Decades later I still remember that rock and consider it a thing worth visiting — although I’m sure that no one else would even notice it.

I passed by the spot in this photograph a couple of times during our August backcountry photography visit to the Eastern Sierra. There are, I’m certain, thousands of similar little meadows throughout the Sierra — most from a stream meandering through, green with meadow grasses, bounded by granite and small trees. But somehow this particular spot caught my attention and, I think, may have become one of “those places.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.