Tag Archives: america

Skylights, Manhattan

Skylights, Manhattan
Skylights glow in the gathering darkness on a Manhattan rooftop.

Skylights, Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Skylights glow in the gathering darkness on a Manhattan rooftop.

Given the right camera position and the right light, small and easily overlooked bits and pieces of the urban architectural environment turn out to be interesting. I’ve long noted that in dense, urban environments the exteriors of living spaces are often far from attractive — at best they are utilitarian and at worst they can be downright ugly. My theory is that people, for the most part, do not regard the exteriors of their spaces the way we might in space-filled suburban environments. They don’t use these exteriors to present themselves to the world —no gardens, no fancy paint, no cute signs… just the functional and often well-worn necessities.

I don’t know for sure what is beneath these skylights, but I suspect that it could be someone’s living or work space. I’d also bet that whoever occupies the space has little or no idea of what these skylight look like from the outside, and they may not even think about the potential that people like me walk by every day and may look at them. From inside, the skylights are a way to let light in. But at night, to the passer-by, they become a source of light themselves as they radiate outwards.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rebuilding, Manhattan

Rebuilding, Manhattan
Cranes atop the new World Trade Center building.

Rebuilding, Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Cranes atop the new World Trade Center building.

Those who recall the events of 9/11 have a variety of memories of that date and what followed. The subject is too big for me to claim to address it in two paragraphs and a photograph, so I’ll simply recall a few things of my own from that date. Back then it was my habit to get up early, turn on the radio while having breakfast, and listen to news. The first report here on the West Coast lacked much detail but mentioned a plane hitting one of the towers. I immediately thought of older incidents where small planes struck tall buildings, and I assumed it was such a story. But from there began a crescendo of news that got worse and worse over the day and beyond — thousands died and America went to war and the effect still reverberate.

On a visit to New York around New Year’s Day 2000 we had ridden the elevators and climbed the stairs to venture out on the catwalks above one of the towers at night. Among other things, we had watched passing planes from that vantage point. We did not visit New York again until very close to exactly one decade after the attack. Thinking back, we somehow mostly managed to avoid the WTC site until late in the visit when we finally went there. It was an overwhelming experience, though at that point it was a construction site — a place of growth rather than destruction — but the fact of what had happened there could not be ignored. I made the photograph of the new tower under construction from the Brooklyn Bridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Moon Rising, Mono Lake

Autumn Moon Rising, Mono Lake
A full autumn moon rises above Mono Lake at dusk.

Autumn Moon Rising, Mono Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

A full autumn moon rises above Mono Lake at dusk.

There are still a few more photographs in this series of autumn evening images from Mono Lake that I made a few years ago. These come from that pandemic photographic genre that we might call “photographs that would have been lost forever if forced isolation had not given me a great reason to look through my old files.” (Maybe you have a shorter title?) I know I’m not the only one dong this. Travel has, of course, been complicated for a year and a half. I’ve been out, and I’ve even been to Mono Lake during this interval, but the opportunities seem greatly diminished. But there are tens of thousands of raw files in my archives, and it has been productive to spend time going back through them and discovering things I had left behind. (How that happens would be a great subject for a long post sometime.)

On this autumn evening I timed by arrival at Mono Lake for right around sunset. I knew that the full moon would rise over those distant mountains east of Mono Basin, and I expected that the moon world rise while there was still some light in the sky. This is ideal in many ways, since the remaining ambient light is often colorful, it illuminates landscape details, and it reduces the contrast between the bright moon and the darker scene. In several of the photographs —working very quickly! — I used a much longer focal length to enlarge the moon. But for this one I backed off and included much more of the surrounding landscape and the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Color and Sierra Crest Peaks

Autumn Color and Sierra Crest Peaks
Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

Autumn Color and Sierra Crest Peaks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

This is, as some of you may notice, a portrait-orientation photograph of a scene that I recently shared using the landscape orientation. Why two different approaches, you may ask? That could be a bit of a complicated question, as there are multiple possible reasons. Heck, you might just wonder if I was able to make up my mind! In fact, this scene “works both ways,” I think. The landscape orientation goes with the long horizontal stretch of the distant ridge and the band of colorful aspens at the bottom, and it also reveals some additional color that lies outside of the vertical image to the right. On the other hand, I think that the vertical interpretation may do a better job of presenting the scale of the vertical rise from the foreground to those towering, distant peaks. I could go on, but I’ll end by pointing out that sometimes both orientations prove useful, so I don’t shy away from doing both.

The scene is a long canyon in the Eastern Sierra that rises from the hot, dry terrain of Owens valley, ascends a long river drainage that twists and splits and gradually transitions to subalpine forest, and finally culminates well into the alpine zone with its rocky terrain and high peaks. Canyons like this one can be good places to look for aspen color in the fall — for one thing, because they cover such a large elevation range there is likely to be color somewhere within them over a relatively long period of time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.