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Mono Moonrise

Mono Moonrise
Autumn full moon rises over Mono Lake, California.

Mono Moonrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn full moon rises over Mono Lake, California.

The scene is an autumn moonrise over Mono Lake, a scene that I often encounter on my fall photographic visits to the Eastern Sierra. I’m there often enough that it seems like I have this opportunity almost every year. I had been photographing more typical autumn subjects earlier in the day — largely the fall colors of aspen trees — but I decided to finish that activity early enough to get myself to a likely location to see and photograph the moonrise over the lake. These days, with the help of various digital tools, we can come very close to putting ourselves in precisely the right spot at precisely the right time. On this evening the moon rose in early twilight, but I continued photographing until it became quite dark.

On a technical note, there are some challenges to including the full moon in a photograph made after dark. The biggest issue is that the moon is a lot brighter than the landscape — the landscape is in darkness but it is essentially noon on the moon! There are ways to deal with this, one of which is to photograph before the landscape becomes completely dark, and I did that here. But I was pushing that boundary a bit, and I was initially unable to get the balance between the moon and the dark landscape that I was looking for. However, as sometimes happens, the sophistication of post-processing software advanced, most notably with the introduction of some powerful new selection tools in Lightroom and Adobe Camera RAW. (Despite the popularity of Lightroom, I’m still a Bridge/ACR/Photoshop user.) These tools enabled me to make some important adjustments to the dark portions of this image while retaining detail in the moon. (NOTE: This is a re-working of a photograph that I had previously shared back in 2019.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Orange F250

A very orange Ford F250 pickup truck

Orange F250. © Copyright 2021 G Dan Mitchell – all rights reserved.

A very orange Ford F250 pickup truck.

This photograph is another from the little “orange exercise” that I and a few of my photographer friends engaged in around Halloween. The objects was to… photograph orange things. It turns out that this was a trickier task than I imagined. Because it was Halloween time, a lot of the potential orange subjects seemed a bit obvious. (Not that this entirely kept me from photographing pumpkins…) The surprise to me was that once I started looking for orange… the exact boundaries between orange and various other colors started to become fuzzy. I’d look at something that seemed orange, only to realize that in a different context it might be regarded as yellow or red or brown. There are objective facts about color, but our perception of it is highly subjective!

Having said that, there is no question in my mind that this truck is orange! I used to occasionally see cars painted in colors like this, but today mostly we see some pretty drab colors — generic white, black, gray, silver and similar. Even blue and green are less common than they once were. So this very orange truck caught my attention while I was out walking in the neighborhood. One more thing: perhaps, like me, if you stare at the shape of this vehicle long enough it may start to look really strange…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Young Trees, Zion Canyon

Young Trees, Zion Canyon
Slender young trees growing at the base of the sandstone cliffs in Zion Canyon.

Young Trees, Zion Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Slender young trees growing at the base of the sandstone cliffs in Zion Canyon.

The biggest and oldest cottonwood trees are some of the most impressive specimens in these canyons. They often tower high above their surroundings, and for this reason can be photographed against cliff faces or sky without interference from other plants. They fill sections of canyon bottoms throughout the Southwest and, for that matter, they are found in an amazing range of places in the west, from near desert locations to the flatlands of California’s Central Valley. However, their dominance of the plantscape can sometimes distract from other worthy subjects that do not shout their presence quite so loudly.

These young trees in Zion Canyon have a kind of grace and fragility that contrasts with the solid mass of those bigger cottonwoods. The branches of these trees are slender and they move in the breeze. (Which, by the way, adds a particular challenge to photographing them in very low light.) The soft canyon light reflecting down from far above almost makes them luminous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cliff Edge in Sunlight

Cliff Edge in Sunlight
Sun shines on the sharp edge of a sandstone cliff, Zion National Park.

Cliff Edge in Sunlight. © Copyright 2021 G Dan Mitchell – all rights reserved.

DescrSun shines on the sharp edge of a sandstone cliff, Zion National Park.iption

Many years ago I was on a two-week backpacking trip through a long section of the Southern Sierra Nevada, covering some of the highest portions of the range on foot. The hike took me across a series of very high passes that were close to 12,000′ hight. In other words, I spent a lot of time in some very rugged and alpine places. I distinctly recall pausing on one of the higher passes to look around and realizing that the entire visible landscape consisted of rock and snow, with not a bit of forest visible to me. That vision of such a raw landscape stuck with me, and I’m always on the look out for such things.

While Zion Canyon is certainly not a place without forests and trees and rivers and lots of other comfortable things, it is possible to find a few ways of viewing this country that reinforce how much of its landscape is built on rock, in this case layers of sedimentary rock laid down, transformed, twisted and tilted over the millennia. This photograph catches the sun-lit edge of a closer buttress (yes, with a few plants!) juxtaposed with another more distant wall in shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.