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Edge of the Forest

Edge of the Forest
Deciduous trees at the edge of a forest, Redwood National Park.

Edge of the Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Deciduous trees at the edge of a forest, Redwood National Park.

This photograph comes from a section of forest that always surprises and pleases me when I visit Redwood National Park. In a place where the giant coast redwoods are everywhere… here there aren’t any! Instead these densely-spaced deciduous trees with their thick green foliage line both sides of the road. Although the spot is not marked as an iconic location, there are always others stopped there when I arrive.

Part of the attraction of subjects like this is the challenge of finding some sort of logical composition in all of the extremely complex detail of trunks, branches, and leaves. It is there, but I often have to look for it. Typically I spot something that seems like it might anchor the photograph… and then as I look over the scene I discover some element that doesn’t fit or a spot that is too dark or otherwise seems empty. At the same time, I don’t want it to be too perfect — without some formal tension the scene can easily become completely static.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Old Stump, Redwood Forest

Old Stump, Redwood Forest
An old redwood stump stands among dense undergrowth in a Northern California coast redwood forest.

Old Stump, Redwood Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old redwood stump stands among dense undergrowth in a Northern California coast redwood forest.

The coast redwood forest can seem almost static — it is a place of quiet stillness, populated with many very, very old trees. On quiet days the only motion comes from an occasional bird and continuous slight movements of the air. But it is actually a place of continuous transition, as a scene like this reminds me. In the left foreground is a young tree that is extending toward the canopy to find light, but in the middle is a very old and worn stump of a long-gone redwood. And, of course, around the base of the trunk is a carpet of annual plants.

I photographed this on a slow walk through a section of redwood forest one morning when fog was intermittently moving in and out — one moment there would be a bit of sun and shortly after fog would move through the trees. I wanted to make a photograph that contained the complexity of this place and which caught the highlights of light on the edge of the trunk, so I waited for the light to intensify a bit before making the exposure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Approaching Storm, Big Sur Coast

Approaching Storm, Big Sur Coast
Haze and fog along the mountain tops as a storm approaches along the rugged Big Sur coast of California.

Approaching Storm, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Haze and fog along the mountain tops as a storm approaches along the rugged Big Sur coast of California.

This photograph actually from a couple of years ago. (More on that subject in a moment.) I made it on one of my Big Sur day trips, on which I leave home early, photograph before the crowds arrive, and then head home by early afternoon. Yes, I’m fortunate to live close enough to do that. If I recall correctly, on this day I was hoping to beat a weather front to the coast, expecting to photograph the sunny boundary just ahead of the clouds. Conditions were different from what I expected — by the time I arrived at this point the front’s cloud shield was moving over the coastline, becoming more dramatic by the moment. Fog along the coastal hills was dissipating and there was still some haze.

Not only is this photograph from two years ago, but it is a fresh rendition of a scene that I shared at that time, based either on the very same exposure or one made at almost the same time. I went with an (unusual for me) square crop in order to contrast the dark mass of the steep cliffs rising from the sea and the more distant and lighter water, mountains, and sky. For those of you who may occasionally have dreams about where you would like to live, if you look very closely at the dark foreground ridge you might spot a place that could make you very jealous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwood Trail, Spring Morning

Redwood Trail, Spring Morning
Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Redwood Trail, Spring Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Early one June morning this year we parked the car and strolled along a trail into a coast redwood grove that is close enough to the Pacific that you pass people hiking to the water and you encounter fog forming over the coast hills. Not all redwood forests are this moist, but here the conditions create especially lush growth, and on this morning the drifting fog softened the light and muted more distant subjects, though it still had a bit of a directional quality.

On this visit I thought a lot about the difference between what the camera records and what the eye and mind see in the redwoods. When opening files from photography in the redwoods, the colors often seem more dull than the memory. Several possible explanations exist, but I’ve long had an idea about how our visual system accommodates different kinds of lighting, essentially normalizing them in ways that aren’t captured by the camera. This time I made a point of stopping and thinking long and hard about the way the colors looked to me while walking through the forest, and I realized that our visual system’s normalization process compensates for the bluish light and tells us that the colors are warmer than they objectively are. To my mind, it is more important that a photograph express what I saw in the place than it is that it achieve some standard of objective color balance that essentially lies about what I experienced… and what you see here is true to my experience in the redwoods.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.