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North Shore, Fog

North Shore, Fog
A foggy morning along the north shore cliffs of Point Lobos

North Shore, Fog. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A foggy morning along the north shore cliffs of Point Lobos

In mid-July I managed to get to Point Lobos State Reserve, south of Carmel, on two occasions during the same week. It stayed foggy the entire time on the first visit, but on the second it began to clear back from the coast by mid-morning, and fog-softened light was present here as I walked along the north shore of the park. (Oddly, it was foggy inland as the area right along the coast began to clear.)

The photograph appears to show a clear view across water and into a cove where with steep rocks and tall trees at its head. In fact, my shooting position is quite covered with trees, and it was a bit of a trick to find a spot with a clear view like this. At the point at which I made the photograph the fog was still there, though it was beginning to thin a bit, and some soft light was beginning to make its way through the murk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Women, Street Art Vendors

Two Women, Street Art Vendors
Two women at a street art vendor beneath an umbrella, Manhattan

Two Women, Street Art Vendors. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two women at a street art vendor beneath an umbrella, Manhattan

I recently gave a talk on street photography to a local camera club in the South San Francisco Bay Area. It was the first time I’ve done a talk on this subject, so I spent more time that might be typical considering how to present the subject and how to illustrate some of my ideas about it. Since I don’t like to think there is only one way (or a “right way”) to photograph street or any other subject, I decided that part of the talk would involve looking at various ways to approach street subject. These could include street landscapes, street portraiture, people in groups, and much more — and the ways to photograph could range from very fast and spontaneous to as slowly and carefully as with any other subject.

This photograph came from the fast and spontaneous approach — so much so that I later don’t even recall making the photograph! (That is unusual — I typically have some recall of every photograph, and sometimes I remember a whole lot about it.) We were on a walk in Manhattan, likely heading uptown from the Little Italy area, and I had my camera out and in hand and was in a shooting mode in which I work very quickly — see subject, make photograph. I might take no more than a second or two to contemplate a composition, instead working very instinctively. There must have been something about the almost furtive appearance of the two women and something about the art for sale.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Estero de Limantour

Estero de Limantour
A foggy day at Estero de Limantour, as viewed from Drakes Head, Point Reyes National Seashore

Estero de Limantour. Point Reyes National Seashore, California. July 23, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A foggy day at Estero de Limantour, as viewed from Drakes Head, Point Reyes National Seashore

This post is a bit about this photograph and a bit about the experiences that such photographs are embedded in. The location is a somewhat remote location at Point Reyes National Seashore — the hike out and back runs about 13 miles or so. I have wanted to visit this spot for a number of years, but every time I have started the hike it has been too late in the day to complete the round-trip, or else I was distracted by other photographic opportunities along the way and I did not get all the way to the destination. This time I arrived early enough and got on the trail right away, and I did not stop too much along the way.

What did I find at the end of this long walk? The trail ends dramatically with a slight rise to a high point on a promontory overlooking Estero de Limantour far below, and the expanse of Drakes Bay beyond that. Or so I imagine. When I got there it was very foggy and extremely windy, and at times the water in this photograph was obscured by fog. Because the clouds had been breaking up further inland I decided to wait here in anticipation that the clearing would make it all the way to the coast. After waiting for an hour and a half (!) the fog began to lift and I could start to make out the water beyond the sandy island running along the shoreline. I jumped up and made preparations for the glorious breakup of the clouds… and then the wind picked up, the fog closed in, and it began to drizzle! I made this photograph during a slightly clearer moment. Before I loaded up the pack for the hike back I remembered that great light doesn’t always arrive, that you must be out there a lot if you expect to see it when it happens, if you are out there a lot you will experience lots of “failures,” and that even on a day that might not be optimally photographic there is nothing at all wrong with spending and hour and a half on a windswept bluff engulfed by ocean fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Low Tide, Drakes Estero

Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero
Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero

Low Tide, Drakes Estero. Point Reyes National Seashore, California. July 23, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero

Although I have been visiting the Point Reyes National Seashore, just north of San Francisco, for quite a few years, it has sometimes been a challenging place for me to photograph. Perhaps it is because, with some exceptions, it generally doesn’t feature the same sorts of iconic and spectacular Pacific coast subjects found in places such as the Big Sir coast. instead there are coastal lowlands with most-treeless bluffs, thick and impenetrable forests further inland, and grand vistas across low-lying landscapes. But given enough time and patience and persistence, I think ti begins to be possible to discover a way of seeing almost any landscape, and I’m starting to understand how to see this place.

I knew it that there would be fog on this visit, and my plan/hope was that I could get there at the right time to place myself along the boundary between sun and fog, where interesting things often happen with the light. I decided to take a rather long hike (about 13 miles roundtrip) to a location that I have long wanted to visit, and I arrived at the trailhead just as the fog was beginning to thin there. After dropping through forest I arrived and crossed one arm of Drakes Estero as the tide was at its low point, revealing mud flats along the shoreline. The trail climbed again and I came around another high headland to see a more expansive view toward the fog over the ocean to the west. The low tide revealed remarkable patterns in the estero, and the shallow water reflected the deep blue sky and the thinning fog clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.