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Sierra Nevada Trees And Granite

Sierra Nevada Trees And Granite
Trees grow at the base of a granite face, Yosemite National Park

Sierra Nevada Trees And Granite. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Trees grow at the base of a granite face, Yosemite National Park

I originally worked up this photograph for an article on the relationship between supposed realism in photographs and post-processing. (“Photographs And Reality: A Complicated Relationship”) I selected it because the scene posted a particular common challenge, namely a dynamic range that was wider than the typical dynamic range of presentation media, and because capturing the full scene required me to make some exposure decisions that intentionally produce an original “straight out of camera” image that wasn’t lovely, but which protected the scene data I would need to work with the photograph in post.

The subject is a group of large-trunk trees growing on granite slabs at the base of a Yosemite high country granite dome. This landscape — more or less the landscape of much of Yosemite — is interesting in so many ways. Here the trees seem to somehow grow out of little more than cracks in solid granite, and shortly beyond where they stand the rock becomes too steep and too solid to support more large trees. While such scenes can be found throughout the park and in many more inaccessible areas, this one is right alongside Tioga Pass Road!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sierra Shoreline

Sierra Shoreline
Forest and granite boulders at the water’s edge, subalpine Sierra Nevada lake

Sierra Shoreline. Yosemite National Park, California. September 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Forest and granite boulders at the water’s edge, subalpine Sierra Nevada lake

I’m looking backwards and forwards with this photograph. Backwards to a visit of more than a week to a Yosemite backcountry lake with a couple of photographer friends near the end of last year’s summer season — a season that brought another year of drought and tremendous wildfires. All of that aside — but, boy, did we deal with wildfire smoke! — we had a beautiful period of late season light on many days, and a few days of rain from an early season storm near the end.

And I’m looking forward… to getting back into the summer Sierra before too much longer. Spring has been quite busy since our last big adventure, a visit to Death Valley back at the end of March, and aside from bird photography and a few odd trips here and there, well, it is really time to get back into the field for a more extensive period. Tioga Pass Road has now been open for a couple of weeks, and the High Sierra awaits. I hope to be back there soon, and back at places like this one and it this high country light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Before the Sun

Dunes, Before the Sun
Sand dune shapes in soft light, Death Valley National Park

Dunes, Before the Sun. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Sand dune shapes in soft light, Death Valley National Park

There are still a few more photographs to share from this year’s spring visit to Death Valley National Park back at the end of March. To answer the inevitable question, we arrived after the peak of the “super bloom” — but there were still flowers and there are always plenty of other things to see. We visited some familiar sites and sights, and we also investigated some areas that were new to us. (It is a big park — even though I’ve been going regularly for over 15 years there is still plenty of new thing stuff to see.)

On the last morning of our trip, after days featuring wind and dust storms and even rain, it appeared to be calm. I got up well before dawn — what else is new? — and headed to a nearby area of dunes. Rather than going to the “usual spot,” I drove on to a location that I had been thinking of for a while, parked, loaded up my pack full of camera gear, grabbed my tripod, and headed out the pre-dawn light across a playa, heading toward some low dunes. Twenty or thirty minutes later I arrived, still before sunrise, and I had some time to photograph in the beautiful soft pre-dawn light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Barred Window

Barred Window
Reflections and shaded interior beyond a barred window, San Francisco

Barred Window. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Reflections and shaded interior beyond a barred window, San Francisco

Walking along the waterfront near the South Beach Harbor I noticed a walkway going out to the end of a pier than I had not noticed before. This time a gate was open, so I walked out onto the pier and passed many small temporary (or so they seemed) businesses and shops that were set up behind the sliding metal doors, now open for the day. My goal was the end of the pier, where I figured I might be a good, clear view straight into the morning light coming across the bay or possibly back across the boats tied up in the harbor.

Passing one small metal-sided building, I noticed the odd combination of objects — a bird cage behind a sort of “human cage” of the barred windows. The right window provided a visual and subjective contrast with these objects, since it reflected the open blue sky and the upper portions of the masts of the nearby sailboats.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.