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Leaf, Stone, Weathered Paint

Leaf, Stone, Weathered Paint
“Leaf, Stone, Weathered Paint” — A leaf lies on a stone sidewalk marked with weathered paint, Hakone Gardens.

This photograph was most certainly not the thing I came here to photograph. We went to the Hakone Japanese Gardens this spring, timing our visit for the peak of the cherry blossom season, and arriving in the late afternoon so that we could photograph these and many other blossoms on into the evening. Photographing old and worn out steps and dead leaves was not the main goal!

As we walked some of the hillier paths the route followed a series of old stone steps. It appeared that at one time some of the steps may have been coated with paint — red in some spots and yellow in others. But that paint was apparently not renewed, and today there are just scattered bits of it here and there on the rocks.. The single dead leave seemed to evoke a feeling quite at odds with the spring theme we were there for.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Half Submerged

Half Submerged
“Half Submerged” — The salt playa of Death Valley partially submerged under the shallow waters of Manly Lake.

Part of what I love about this subject is how hard it is initially to understand exactly what we are looking at. (I wonder what you thought it was at first?) My first impression, at least when looking at small versions, is of sky and clouds. It is only when I look more closely that I realize that it is not that at all — it is the playa of Death Valley, where salt flats are partially submerged beneath the water of Lake Manly.

We usually direct our eyes parallel to the ground or perhaps upwards when we view the landscape. But on those occasions when we can look down at it from a distance we see it in a very different light. Features that are barely, if at all, visible from down below become the major points of interest. (There’s a lot more to see in this scene than first meets the eye.) And all of this is enhanced by the subjective feelings that come with looking out from any very high vantage point.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fern and Rocks

Fern and Rocks
“Fern and Rocks” — A fern plant grows from cracks in a rock wall, Hakone Gardens.

This is another photograph from our visit to the Hakone Gardens here in the San Francisco Bay Area. We went in the early evening on spring day when the garden was open to celebrate cherry blossom season. The sun was still up when we got there, but during our visit the light transited through sunset to twilight.

The garden is packed with fascinating details, accessible by winding paths that climb and descend the property. later in the evening we climbed to one of the higher points and I stopped to photograph these ferns in fading light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Blue Mountains

Blue Mountains

“Blue Mountains” — Desert mountain ridges, obscured by morning haze, extend into the distance.

If you have been following my 2023 photographs from Death Valley — I visited in March — you may recognize the contours of these distant mountains from a couple of monochrome images I shared earlier. I was at a high elevation location along the east side of the valley to photograph the playa at sunrise, but from time to time I turned my attention the other direction to look at these ridges extended into the distant haze.

One pleasure of viewing the world from such a location, high above the surrounding landscape, is that we sometimes see so far that eventually the features simply disappear into the distant haze. Here the haze was so thick — and back lit — that details were lost, leaving only the counters of the main features of the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.