Tag Archives: america

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Ground Squirrel

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Ground Squirrel
“Ground Squirrel” — A ground squirrel perched on winter plants.

This time of year I head to the flatlands of the Central Valley, looking for migratory birds to photograph. But these are not the only critters I see. As I drive along backroads and levees and across pastures I see some distinctly less exotic animals such as ground squirrels. At one location they make their holes everywhere, including next to and under the gravel roadway. I’m used to watching them race away as a I approach. But not this one.

This squirrel had climbed up the stem of a dried plant, positioned itself in the “v” between two branches and under a loop of dried seeds. It was just… sitting there. It didn’t react to the presence of our vehicle, it didn’t appear to be feeding. Other than providing an excellent target for hungry raptors, I have no idea what it was up to.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Final Approach

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Final Approach
“Final Approach” — A trio of snow geese lining up to land in a Central Valley pond.

Snow geese and Ross’s geese were my first interest years ago when I began paying serious attention to photographing birds. I had been tuned into California’s natural world for decades, but somehow I had missed the annual bird migrations, so “discovering” them was a thrill. Eventually the geese didn’t like the only thing worth photographing, and I no longer chase after them reflexively. But they still can be compelling — and there’s nothing quite like the sight and sound of thousands of them taking to the sky at once!

I photographed this trio on a late-December day when the numbers of geese were steadily increasing. There are more things to attend to when photographing these birds than you might think. Exposure can be tricky, as their brilliant white plumage can blow out in bright light or turn gray against the sky. Light needs to shine on them from the right direction or their features get lost in shadows. And, of course, you hope that the geese aren’t facing away from you! For this photograph I was in just the right spot as the birds turned toward me and into the breeze to land.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sky

Autumn Moon

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Autumn Moon
“Autumn Moon” — Clouds pass in front of the full moon in the early morning, Central Valley.

When I arrived at a Central Valley location where I photograph migratory birds on this late-November morning I was a bit disappointed to not have thick tule fog. I love to photograph in those conditions, partly because of the atmosphere they provide and partly because they often extend useful photography hours later into the day. But on this morning there was only the tiniest hint of incipient fog, and the view to the sky was rather clear.

I began by photograph ing birds before sunrise. As the sky begins to lighten the birds (mostly geese and cranes) become restless and eventually take off, often in large groups. During a pause in the passage of the birds I noticed the thinning clouds passing in front of the full moon as pink dawn light struck the edges of the clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Ocean & Coast

Breaker

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Breaker
“Breaker” — Waves generated by a big Pacific Ocean storm break near the California coastline.

It is quite an experience to get up close and personal with huge storm surf like this — though having a very long lens and finding the right shooting location helps makes it safe. We headed to the coast south of San Francisco during California’s bout of giant waves between Christmas and New Year’s Day. At this location a peninsula juts out into the ocean between a beach and a bay. At the tip of this peninsula one is very close to the waves as they break and roll into that bay.

In a way, photographing these waves is more or less like photographing moving landscapes. They have slopes, peaks, and cliffs, and the effects of wind and light are part of the scene. The main difference is that everything is ephemeral. The landscape stands still, but when photographing waves the landscape photographer has to think more like someone photographing active wildlife or sports, making instantaneous, intuitive decisions about timing and composition.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.