Tag Archives: arch

Arch in Morning Light

Broken Bow Arch, Morning - Morning light on Broken Bow Arch, Grand Staircase-Escalante National Monumnet
Morning light on a backcountry arch, Grand Staircase-Escalante National Monument

Arch in Morning Light. Grand Staircase-Escalante National Monument, Utah. October 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on a backcountry arch, Grand Staircase-Escalante National Monument

In a land of many arches… this is another one. :-) I’ve come to understand that natural arches and natural bridges, which still seem miraculous to me when I see them and think about how they form, turn out to be almost absurdly common features in the American Southwest. My first exposure was, not surprisingly, at Arches National Monument, where there are more of them than you might believe if you did not see them with your own eyes. They seem to come in all forms and sizes: impossibly slender and long, small and delicate, big and blocky, towering above the surrounding terrain, invisible unless you happen to look the right direction in the right light, short and stubby, and seemingly infinite additional variations.

Since my first acquaintance with the more famous specimens at Arches National Park, I have had the opportunity to see a few others in less accessible locations. This one required a long and convoluted hike through terrain that held its own attractions apart from the arch – in fact, I had almost forgotten about the arch when we reached it. The photograph is from a high point near the arch – on the opposite side from our approach – and from the shady side of the feature at this time of day. From many vantage points it stands a bit too much against the sky, which did not seem to me to be the most attractive background. From this spot it was possible to find a camera position where the sky was out of the frame, and this allows the shape and texture of the arch to be seen in the light reflected from nearby walls.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Small Tree and Pink Rock

Small Tree and Pink Rock - A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument
A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument

Small Tree and Pink Rock. Grand Staircase-Escalante National Monument. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument

The narrow canyons and slots of South Utah, which I’m just coming to know, are full of surprises at every turn. The “turns” are a literal source of the surprise, since you can’t generally see far up or down the canyons and each turn literally does reveal things that were not visible a moment before. As you progress up (or down) the canyons, the nature of the rock constantly changes as you pass through layers of angled strata of rock – smooth and deep red one moment, pale and broken another, and then light pink or gray. The incline of the canyon changes, as does its width – one moment you are walking on a veritable sidewalk, smooth and wide, and the next you are trying to find your way over rocks and boulders, walking up the middle of a stream, trying to avoid deep and sucking sand, squeezing through a slot, or looking for a higher route around an impassable section. The canyon might be rocky and seemingly devoid of plant life… or you might have to squeeze your way among trees and bushes.

This small canyon presented most of these variables at one point or another. Most of the time we were acutely aware of the stream in the canyon, as our route was in, around, or across the water almost constantly. Here a few small bushes found cracks in the rocky walls with sufficient soil to survive, and the light from far above bounced back and forth between the high canyon walls, picking up the reddish color of the sandstone.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographing Icons – Or Not

Yesterday I shared elsewhere a photograph that someone had posted featuring a line-up of scores of photographers, arrayed tripod-to-tripod, ready to photograph one of those iconic views that we all know so well. I suspect that we have all been to such places and either found the experience of seeing and photographing them to be powerful… or we might have been repulsed by the crowds of people all apparently trying to “capture” the same thing, among them perhaps a number of folks who might be trying to almost literally recreate versions of the scene that they had seen elsewhere.

The point of the share (seen here and here) was not complimentary. My reaction to the photograph was to wonder, even more than usual, why people would want to make photographs that way. I phrased it as, more or less, “yet another reason to avoid photographing icons.”

However, a person wrote to me after I posted and pointed out, with a bit of anger and with some justification I think, that complaining about and putting down those who want to photograph a beautiful place might seem a bit pretentious and self-righteous.

She has a point.

While there is something a bit troubling about seeing dozens of people lined up to make the very same photograph, some of us might be a bit too quick to jump to overly negative conclusions. Perhaps there is a way to cast this as a positive lesson, rather than ridicule. So let me engage in a bit of reflection and honesty. Continue reading Photographing Icons – Or Not

Bixby Bridge, Pacific Coast Highway

Bixby Bridge, Pacific Coast Highway
Black and white photograph of the Pacific Coast Highway crossing Bixby Bridge above the rugged Big Sur coastline of California.

Bixby Bridge, Pacific Coast Highway. © Copyright 2022 G Dan Mitchell.

The Pacific Coast Highway crossing Bixby Bridge above the rugged Big Sur coastline of California.

Bixby Bridge is one of the iconic sights along the rugged terrain of California Coast Highway (highway one) in the Big Sur area south of Monterey. Although it is not the only bridge of its type along this route – and, in my opinion, not necessarily the most visually impressive – it is no doubt the best known. Many people drive to this spot and stop to take in the view from high above the ocean and to photograph the bridge and this scenic section of the highway.

I have photographed this bridge before, and I’ve spent a bit of time scoping out alternative points of view. These include some locations visible from “behind” the bridge, up higher in the coastal hills, and from other nearby locations along the highway. While I have photographed the bridge from the backside in the past, the idea of photographing it in black and white from this vantage point was triggered by a photograph by Chris Morrison that I saw in an online photography forum. When I saw it, I almost immediately “saw” a slightly different composition of the bridge and the steep headlands and cliffs running south along the coast.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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