Tag Archives: arch

Sunset Light, Big Sur

Sunset Light, Big Sur
Sunset Light, Big Sur

Sunset Light, Big Sur. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter sunset light on the rugged Big Sur coastline

On the final day of January we took a long drive down and then back up the Pacific Coast Highway between the Monterey Peninsula and Piedras Blancas, where we knew we could see and photograph the elephant seals that gather here on the coast every winter. We took our time on the southward drive, taking nearly nine hours to reach our southern destination – and stopping frequently along the way to make photographs. (OK, for coffee and meals, too…) After photographing the elephant seals in the late afternoon, it was time to start our return trip.

There is so much to see along this coast that it is unusual to be left wondering what to photograph, so the general – and somewhat vague – plan was to take stock of where we found ourselves during the hour or so before sunset and to then find a suitable golden hour and dusk subject to photograph. Perhaps 45 or 50 minutes before sunset we came to an overlook where we had photographed much earlier in the day and decided that this would be the place. Here the coastline arcs south, with rugged mountains dropping right down to the shoreline with its sea stacks, rocky prominences, and hidden beaches. Our overlook was high enough to provide an expansive view of this scene, and it didn’t hurt that a couple of large rocky islands, one with a natural arch, were located right below. You never know how a sunset and evening will turn out in photographic terms and you must more or less take what you get. On the plus side, there were thin, high clouds to the west that wrapped around to the south, and these clouds can produce a lot of color if lit from below right at sunset and shortly after. There was also some haze to the west to soften the light. On the other hand, there also appeared to be a somewhat thicker band of clouds and for right near the horizon, and this can “turn the lights out” at just the wrong moment. I made this photograph as the golden hour light began to intensely color the shoreline. I quickly made a series of photographs in landscape and portrait orientation, moving a bit in between to change the juxtaposition of elements a bit. At one point I looked away for a moment… and when I looked back the color had almost gone as the sun passed behind those thicker clouds. Yes, it happens that quickly and imperceptibly sometimes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Trees, Reflection

Cottonwood Trees, Reflection
Cottonwood Trees, Reflection

Cottonwood Trees, Reflection. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees with fall foliage reflected in the Merced River

Believe it or not, this is the mighty Merced River, draining a vast section of the Yosemite High Sierra that extends all the way to the highest peaks of this section of the Sierra crest. On this late October afternoon, on a dry day during a dry month at the end of the second of two drought years in the Sierra, the river felt in many ways more like a creek. The water moved slowly, gently rippling over rocks in the shallow sections and pooling in the deeper areas where the movement of the water was almost invisible. The contrast between this scene and what the river can do is apparent when your realize that these trees could be standing in very deep water during the peak runoff floods of a wet year.

I had wandered out to this relatively accessible location in the afternoon, drawn by the golden cottonwood trees that were approaching their peak autumn color, the brilliant fall backlight from the low afternoon sun down the Valley to the west, the shadowed granite face beyond, and the possibility of using the river as an element in photographs. I was apparently not the only person with this idea, and when I arrived I found perhaps a half-dozen painters occupying strategic spots on gravel bars, the beach, and along the banks. I made some photographs that included these artists, but I also contrived to exclude them from some of the compositions, including this one that brought together all of those elements that I came here to find.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Yaquina Bay Bridge

Yaquina Bay Bridge
Yaquina Bay Bridge

Yaquina Bay Bridge. Newport, Oregon. August 20, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Yaquina Bay Bridge, Newport, Oregon

Returning to the San Francisco Bay Area from a week in the Seattle area back in August, we decided to take the long way back and turn a two-day trip into a four-day trip. After spending a day in Portland, we headed southwest to the Oregon Coast Highway (US 101) and followed that south into the northwest corner of California and then on home.

To my eye, the Oregon coast is in some ways familiar, having some similarities to parts of the northern and central California coastlines that I know quite well. But it seems generally a bit more remote – especially by comparison to the California coast near the San Francisco and Monterey areas – and the ocean seems a bit wilder. The towns are mostly further apart and smaller. Newport is one of the larger cities, presumably due to the large and protected port at Yaquina Bay. The coast highway crosses this bay on the striking Yaquina Bay Bridge, with its beautiful arch shapes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pines and Sandstone Cliff

Pines and Sandstone Cliff - A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park
A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park

Pines and Sandstone Cliff. Zion National Park, Utah.October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park

This could be one of those “don’t forget to look around” photographs – a reminder to look beyond the most obvious thing that you (and others) might have stopped for. The photograph is from Zion National Park, made on my late October visit when we passed through on the way to shoot further east in Utah. The specific location is a well-known automobile pull-out that features a large and impressive nearby geological feature, with signage around the parking lot mostly about that thing. And it is an interesting and worthy site, but one that I’ve struggled to see as a photograph. In fact, the whole area right near here has been a bit this way – a very interesting place where I’ve stopped a few times, but also one where I’ve had a difficult time seeing how to photograph the attractive features found here.

From this location, trees growing on a middle-distance rise can be seen. I’ve also looked at them before and wondered how or whether they could make a photograph. Those trees are the trees in this photograph. What seemed different this time was the result of interesting and changing lighting conditions. The light was coming from the side and a bit behind the trees, so it highlighted the branches and even created just a tiny bit of that glow that I often look for with this subject. In addition, there were broken clouds about, and they were being blown past fairly quickly by a brisk wind – so the light was in a constant state of change. One moment the trees were in a cloud shadow, and the next they were in sun. When they were in sun, the foreground and background might be in sun, too, or in shade, or even some combination of the two. I love these conditions since so many things are (fleetingly) possible with the light. My approach is to make some guesses about what might with the light, find a composition that I think will work, and then pay careful attention to what is happening. This photograph was exposed during a lucky instant when the clouds shaded the background sandstone cliff, and the slightly cloud-muted sun shone on the trees.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.