Tag Archives: arid

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Ridges and Shadows

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Ridges and Shadows
Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Ridges and Shadows. © Copyright 2022 G Dan Mitchell.

Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Believe it or not, I’m still not quite done with this year’s Death Valley photographs. I’ve been sitting on this one for a week or two, pondering several things about it, but now I think I’m done with it. It may be the final one from this year’s very productive visits to the park. We’ll see! (Looking ahead, there’s a good chance that a year from now I’ll review the files and find at least one more.)

This is perhaps the place to again mention the typical cycle I go through when I return with photographs from a location. I open up the collection, and a few typically jump out at me immediately. These will not necessarily be “the best” of the group, but they are photographs that are fairly straightforward to process and work more or less as I expected when I exposed them. Then I go back through the files and begin to work on likely prospects that will require more thought. (Often the best work comes from this pass.) But this isn’t the end of it, and next I look again, this time trying to see the work with a different perspective. Here I often “discover” how to “see” photographs that did not initially seem like they would work. Finally (or maybe not?) I make one more serious traverse of the work to see what I might have missed. And with that — at least until I come back to the files in a year or so — it is on to new projects!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Patterns

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Sand Patterns
Varied sand patteres on a fold in dunes at Death Valley National Park.

Sand Patterns. © Copyright 2022 G Dan Mitchell.

Varied sand patterns on a fold in dunes at Death Valley National Park.

One of the myths about sand dunes is that their features are in motion, being blown across the landscape by winds. The fact that so many features — ripples, waves — remind us of water reinforces the illusion. But here the fluidity is of a largely static sort, and these features tend to remain in much the same place over long periods of time.

The reasons that dunes come into existence begin to be obvious when ou get to know them. They tend to be in windy places where natural features obstruct, divert, and slow the winds, causing them to drop their load of airborne dust and sand. While these broad features are easy to understand, I remain mystified by the smaller scale features like those seen in this “intimate landscape” photograph — the waves, ridges, valleys, drop-offs that also tend to remain fixed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Sequoia-Kings Canyon

Evening Dunes

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Evening Dunes
Soft early-evening light on san dunes as the last sun strike distant desert mountains.

Evening Dunes. © Copyright 2022 G Dan Mitchell.

Soft early-evening light on sand dunes as the last sun strikes distant desert mountains.

Photographers (and other creatives) understand that their perspective on their own work will always differ from those of others. It cannot be any other way. Only the photographer — that’s me! — knows the circumstances and experiences of making the image. No one else can ever see the photograph the way I do or know all of the associations it evokes. Perhaps this is a reason that we tell stories about photographs. We hope to fill in some of what the photograph alone cannot tell.

So, some backstory: This was the first time I visited at this semi-remote desert location. I planned to photograph in the evening, camp nearby that night, and photograph again in the morning. My camp was a bit more than a half hour walk from the location, and this was the very last photograph I made that evening. Astute observers (and fellow photographers) may wonder: “Why did you stop when that light was still on the mountains?” Well… I was there to photograph the dunes. It was extremely windy and the low light was becoming more of a problem. The light on the mountains was beautiful, but there wasn’t a photograph there. And I had a long walk back to my camp, alone and across terrain that I had not visited before.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Sun, Panamint Mountains

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Morning Sun, Panamint Mountains
Morning sun on the eastern face of the Panamint Mountains.

Morning Sun, Panamint Mountains. © Copyright 2022 G Dan Mitchell.

Morning sun on the eastern face of the Panamint Mountains.

The light on this morning was interesting, a bit softer than expected due to thin clouds to the east that muted the colors and contrast a bit, plus a bit of the ubiquitous Death Valley haze. I made the photograph back in late January, so it isn’t a big surprise to see a dusting of snow on the higher peaks along the ridge of the Panamint Mountains.

The Panamint Mountains stand along the western side of Death Valley and are a remarkable range in many ways — their scale, the human history they contain, and their relative inaccessibility. While humans have, no doubt, appeared from time to time in this slice of landscape, it is a forbidding place and not one traversed easily. From Valley floor to the highest peaks is over 11,000′ feet, and the terrain between the two is immense and rugged.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.