Tag Archives: aspen

Autumn Grove, Evening

Autumn Grove
A quiet autumn sspen grove in the evening, Eastern Sierra Nevada.

Autumn Grove, Evening. © Copyright 2023 G Dan Mitchell.

Autumn in a quiet evening aspen grove in the Eastern Sierra Nevada.

It is easy to focus on the largest and most impressive elements of the Sierra Nevada landscape — I know that I often do. The range is full of rugged peaks, deep valleys, forests draped across miles of terrain, and more. But eventually, if you spend enough time in this landscape, it becomes apparent that there are things to see (and photograph) almost everywhere… and not just in the iconic places. If you asked me where this photograph was made, I could tell you the precise location — but why? There are countless equivalent scenes all over the range!

The photograph illustrates another principle of photographing such subjects: sometimes “bad light” is actually good light. I made the photograph after the sun had set behind the surrounding tall mountains, as the day’s light was quickly fading. But I love photographing trees — especially autumn aspen trees — in this marginal and soft light. The harsh highlights and shadows are gone and gentle light suffuses the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Valley to Summit

Valley to Summit
Basin Mountain, as seen from the base of the Sierra Nevada.

Valley to Summit. © Copyright 2022 G Dan Mitchell.

Basin Mountain, as seen from the base of the Sierra Nevada.

This is a vertical-format view of one of my favorite eastern Sierra mountains, Basin Mountain. It isn’t the tallest in the range or even on this section of the crest, and others have more storied reputations. But I’ve spent quite a bit of time in places where I could see it — both directly beneath its eastern face and passing by on the way to other locations. Although it isn’t very clear from this angle, that eastern face features a striking “basin” that opens toward Owens Valley. I’ve long been intrigued by an obvious trail ascending into that basin, though I’ve never gotten around to taking it.

I made the photograph from the base of the Sierra along the western edge of what we might broadly consider to be part of Owens Valley. (Technically, the exact spot has a different name, but close enough!) The view illustrates some typical features of the “East Side” mountains. They rise from desert-like terrain in many places, and even when it isn’t actually desert it is dry. The foothills rise through what I refer to as “sagebrush country,” often on material deposited by flowing water or old glaciers, and eventually meet the rugged base of the rocky Sierra itself. From there the terrain becomes much more alpine and often much steeper as it rises toward the highest peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Rocky Ledge

Autumn Aspens, Rocky Ledge
A line of aspen trees, with backlit peak color, on a rocky ledge, Eastern Sierra Nevada.

Autumn Aspens, Rocky Ledge. © Copyright 2022 G Dan Mitchell.

A line of aspen trees, with backlit peak color, on a rocky ledge, Eastern Sierra Nevada.

These trees defied one of my working assumptions about Eastern Sierra Nevada autumn aspen color, namely that the high-elevation clusters of smaller trees growing in challenging surroundings usually turn and then drop their leaves earlier in the season. I know that’s often true, because I have seen it for myself in many locations. But this year seemed different, and in places where I have seen bare trees before the middle of October there were quite colorful groves this time. This line of trees was up very high in very rocky terrain, yet it managed to produce enough color to glow like flame in the morning back-light.

This wasn’t the only location where I saw this surprising change. I’m pretty familiar with groves along the June Lakes Loop, including some that are well above the loop and only accessible in some relatively difficult ways. I have photographs of those trees from previous years, and they peaked and then dropped leaves early. Yet this year, as I drove that loop on the last day of my visit, at the end of the third week of October, the same trees were producing vibrant gold colors. All of this reminds me that while the trees tend to follow the same general schedule from year to year, each season has its own personality.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Trunks, Fallen Leaves

Aspen Trunks, Fallen Leaves
Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

Aspen Trunks, Fallen Leaves. © Copyright 2022 G Dan Mitchell.

Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

This stand of aspens was at the edge of a larger and wildly colorful grove that descended to a nearby creek and then a good distance up the slopes on the far side of the canyon. Those other trees are the main attraction here, but as I looked down toward these trees it seemed like they provided an opportunity to enter the grove and photograph close to the trunks. Here many of the leaves had already fallen, which might usually let some much light into the grove that it would be hard to photograph. But evening shadows had reached this point, muting highlights and opening up the shadows.

Photographing this subject presents some challenges. For one, I often start in such places thinking it should be easy to find a composition among such beautiful tree trunks — but then most of the potential compositions seem to include some sort of obstruction. Also, in order to get a lot of the trunks in the frame I must work very close the trees using a very wide angle lens, so small changes of camera position seem to have big effects! Finally there is the matter of the color of the light. If you were there in this grove you would notice white trunks and warm-colored yellow leaves. However, objectively speaking, the light in this shadowed area is quite blue, being illuminated by the sky itself. So I have a decision to make. Is it better to go with that blue, which looks quite a bit different from what I saw at the time? Or should I alter the coloration to reflect my memory. I’ve done both, but in this photograph I went with the latter option.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.