Tag Archives: badwater

At the Edge of Lake Manly, Sunrise

At the Edge of Lake Manly, Sunrise
“At the Edge of Lake Manly, Sunrise” — Solitary figure at the edge of Lake Manly and the reflection of a desert mountain sunrise.

Most of my landscape photographs include little or no evidence of human presence. But sometimes including a human figure can transform a photograph. (I suggest obscuring the figure with the tip of your finger to see how much it changes things.) The person obviously provides a focal point, but also invites viewers to imagine themselves in the scene.

I did not set out to include people in my photographs of Lake Manly. In fact, I positioned myself at the very edge to the lake so that I could include uninterrupted reflections. But this person walked out on a small peninsula that was barely above the water level. At first I was mildly irritated… but I soon realized that this simply gave me a different sort of photographic opportunity.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Manly Lake, Mountains and Clouds

Manly Lake, Mountains and Clouds
“Manly Lake, Mountains and Clouds” — Distant desert mountains and clouds reflected in the surface of Manly Lake, Death Valley.

Lake Manly, the ancient body of water that occasionally reestablishes itself on the floor of Death Valley in wet years, has many moods. Before sunrise or at sunset, if there are clouds, it can reflect intensely colorful light from the sky.. As sunlight strikes the peaks of the Panamint Range, their golden light colors the water. Later in the day, especially if it is hazy, the scene can become soft and pastel.

On this winter solstice morning we began photographing before sunrise and continued through all of the light phases. I made this photograph after the warm sunrise light had dissipated, and when haze made blue the predominant color. The symmetry of the reflections abstracts the shapes of mountains and clouds.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lake Manly Sky

Lake Manly Sky
“Lake Manly Sky” — Early morning clouds and the Panamint Mountains reflected in Lake Manly, Death Valley.

As a landscape photographer I spend a lot of time trying to predict the light. But it is a fickle thing, and it often changes in ways that cannot be anticipated. That was the case on this winter solstice morning in Death Valley. We drove down to Badwater to photograph Lake Manly, the occasional lake that forms on the playa after heavy rains. We arrived before sunrise, and for a brief moment the light was brilliantly intense… before the sun moved behind clouds to the east, laving a softer effect.

The mountains fell mostly into shadow, and because of their distance the details were obscured, leaving us with the shape of the range and its reflection in the water of Lake Manly. Some of the first dawn color remained, but the effect was more subtle and muted, with colors ranging from warm tones in the brightest areas of clouds to deep blue in the far distance beyond the mountains.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Desert Mountains and Lake Manly

Desert Mountains and Lake Manly
“Desert Mountains and Lake Manly — Morning light on desert mountains with flow patterns in the distance.

This photograph might be a bit disorienting. I wonder what you see at first? Some desert mountains with an unusual sky in the background? But what to make of that white area at the far right? And then, what kind of “sky” are we looking at? If I’m right, at some point you might have a bit of difficulty putting all of these elements together into a whole that makes sense. There is an explanation…

I photographed from a ridge-top location in the mountains east of Death Valley. Although my initial goal was to photograph some other distant mountains at sunrise, I stuck around as the sun climbed higher. Eventually it was high enough that it began to illuminate the outcroppings on the slopes below me. Their contours lead down to the eastern edge of Death Valley and, this year, the shoreline of Lake Manly. That “sky” in the photograph is a shallow section of the lake, and the streams are submerged channels.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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