Tag Archives: badwater

Playa Patterns

Playa Patterns
Patters of earth, water flow, and salt deposits in Badwater Basin, Death Valley.

Playa Patterns. © Copyright 2023 G Dan Mitchell.

Patterns of earth, water flow, and salt deposits in Badwater Basin, Death Valley.

In a roundabout way, this photograph is the result of last-minute changes to my plans during my recent Death Valley visit, changes necessitated by the closure of other places I intended to visit there. I took advantage of this situation by more carefully exploring some popular (and some less popular) locations in my central portions of the park. And that led to me being being at Dantes View on a rather cold evening. This is a location with some rather remarkable views, stretching from distant Sierra peaks to mountains near Las Vegas.

I arrived while there was still direct light on the salt flats and other features in Death Valley, and then I continued to photograph right on through sunset until early dusk. I made this photograph was the sun-shadow line was just passing over this area of salt deposits in, more or less, Badwater Basin. From Dantes View, more than 5000′ above Death Valley, these features look quite different than what we see when we are among them, and I used a long lens to isolate interesting sections of this otherworldly landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Spring

Desert Spring
Pools of desert water reflect sunrise light on distant mountains, Death Valley National Park

Desert Spring. Death Valley National Park, California. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Pools of desert water reflect sunrise light on distant mountains, Death Valley National Park

Although it is dawn in this photograph, I had already been up and photographing for some time before I took a break to walk along an observation area and next to the highway at this popular location. The pools of water have their source underground at the base of the tall mountains standing behind my camera position.

Beyond the water are salt flats, some in the “classic” flat white style, and others in the inhospitable and rugged “Devil’s Golf Course” style. The foreground water reflects the morning blue sky, and further out it reflects the ridge of the Panamint Mountains on the far side of the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Panamint Range, Reflection

Panamint Range, Reflection
The east face of the Panamint Range is reflected in the surface of a desert pool

Panamint Range, Reflection. Death Valley National Park, California. April 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The east face of the Panamint Range is reflected in the surface of a desert pool

This is a photograph of one of those surprising features of Death Valley — water in the middle of a place that is astonishingly arid. This location is one of the lowest, hottest, and driest places in the Valley, and beyond this pool is a terrain that is particularly inhospitable, the famous salt flats. It is not pleasant to venture out there on a hot and sunny day, when not only is the heat oppressive but the light is so intense on the white playa surface that it is almost impossible to look.

I went here quite early one morning, in time for the sunrise light across the Valley on the mountains of the Panamint Range. In many ways this was not a hugely promising morning. I would have preferred some interesting clouds, though the thing high clouds are not completely uninteresting. It might have been nice to have white salt flats, but the playa had apparently gone so long without rain and had experience enough wind that the sometimes-white salt was quite gray. This little pool, at the edge of the Valley and the base of the tall and rugged hills, mirrored the early morning sky and a bit of the dawn color on the mountains.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Clouds at Last Light – Badwater Basin and Panamint Range

Clouds at Last Light - Badwater Basin and Panamint Range
Clouds at Last Light - Badwater Basin and Panamint Range

Clouds at Last Light – Badwater Basin and Panamint Range. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Last light of the day over the Panamint Range casts its glow on Badwater Basin salt flats and clouds.

In what may be the last gasp of my obvious attempt to extract as many photographs as possible from this late March evening in Badwater Basin, here is yet another. This one was photographed well after the sun had set, and I had turned my camera away from the expansive view north into Death Valley and to the east towards the Panamint Range and Telescope Peak over which I saw this wing-shaped cloud. While there was a thin band of relatively bright sky above the Panamint Range, everything else was heading quickly toward twilight. (The longer exposures listed in the “technical data” below will confirm the light levels.)

I’ve previously mentioned the subjective issue of how to handle the very blue tone of the “white” salt formations here. The salt is, no doubt, really white – but after the sun dips below the Panamint Range the only light is that of the very blue sky, and the salt picks this up. If you think about it you can see it on the scene, but when you look at the photographs later it is absolutely clear. I’ve been thinking for several weeks about how I’d handle this one, and I decided over a week ago that I’d “go for the blue” with this rendition.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of .8 second and 1.3 second exposures

keywords: panamint, mountain, range, badwater, basin, salt, flats, polygons, desert, death valley, national, park, california, usa, north america, landscape, travel, scenic, dusk, twilight, sunset, cloud, large, dark, sky, nature, blue, evening, pink, stock, pattern