Tag Archives: badwater

Salt Pond

Salt Pond
“Salt Pond” — A salt pond and surrounding playa terrain near Lake Manly.

Lake Manly is not the only body of water on the Death Valley playa during this unusually wet year. That lake occupies the lowest area near Badwater, but there is a lot of water in other locations up and down the valley. I photographed this pond from Damte’s View, high in the Black Mountains. I was there before dawn, but I made this photograph much later when the early shadows had retreated back across the valley and the playa was in sunshine.

The water and the bright morning light reveal a lot of details on the playa. Not only do we see the pond, but we can see the submerged salt formations around its edge. There are channels and waterways everywhere on the playa, in comes cases separated by slightly higher bits of land where sandstorm dust has collected. At the very lower edge in this photograph we see fans spilling down from the base of the mountains and sending gravel toward the playa’s edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Death Valley and Black Mountains, Evening

Early morning and evening are often the times of best light for photography in Death Valley. It isn’t that you cannot photograph throughout the day, especially if you get into the right kinds of canyons. But then the light can be harsh, the atmosphere hazy, and the colors and details washed out. So I usually follow a strange schedule when I go there to photograph — up well before dawn, back in camp by late morning, breakfast at 11:00AM, then off to photograph again in the late afternoon before I come back to camp after dark.

On this afternoon I had made a long drive up into the mountains, with my plan being to return this direction for the evening light. My timing worked out, and I got here just before the best colors appeared, found a good location, and was set up as the shadows stretched across the valley toward the Black Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of Lake Manly

The star attraction of the season in Death Valley has been the reemergence of historic Lake Manly in the hottest, driest, and lowest area of the valley near Badwater. Geologists tell us that the original version of this lake once filled the valley floor, and there’s abundant evidence: old waterlines high on valley hillsides, the tufa formations, and the salt flats themselves. A huge and unusual tropical storm brought heavy rains to the area last year, and more recent precipitation has helped to keep it going.

Since seeing this lake is such a rare event, I made it the focus of my recent visit to the park. I photographed it several times, from different points of view, at different times of day, and in different conditions. I made this photograph very early in the morning from the overlook at Dantes View. As the shadows receded and sunlight arrived on the lake and surrounding terrain I made a series of photographs with long lenses, highlighting the abstract patterns and colors of the flooded playa.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Clouds Above the Panamint Range

Evening Clouds Above the Panamint Range
Colorful evening clouds above the Panamint Range and Death Valley.

Evening Clouds Above the Panamint Range. © Copyright 2023 G Dan Mitchell.

Colorful evening clouds above the Panamint Range and Death Valley.

In previous posts about this Death Valley trip I mentioned that storm-related closures forced me to modify my plans when I arrived in the park. I ended up visiting a few out-of-the way locations on foot, areas not far from central attractions of the park, but perhaps less visited. (In one case, barely visited at all from what I could tell.) But I also made a last-minute decision to drive up to Dantes View one evening, and the sky cooperated.

Quite often the Death Valley sky is… just plain blue. So I was surprised and pleased to spot this interesting cloud formation building over the Panamint Range. Since this is more traditionally a morning photography location, I was pretty happy to see the clouds, since otherwise much of the landscape is in rather deep shadows in the evening. The view is familiar, but remains astonishing — from this location we look down more than 5000′ to the otherworldly features of Death Valley, up to the 11,000’+ Telescope Peak topping the Panamints, and in the far distance a few snow-covered Sierra peaks are sometimes visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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