Tag Archives: band

River of Aspen Color #2

River of Aspen Color  #2
“River of Aspen Color #2” — A band of colorful autumn aspen trees follows a gully down a Sierra Nevada slope.

If you follow the fall color transition in the Eastern Sierra Nevada you have almost certainly seen photographs of this grove. (Hint: there other groves like it that are less well known, and I’ll do my part to help it stay that way!) The trees descend from a high ridge along a gully, then spread out in a larger grove at the bottom at the edge of a subalpine lake. The form of the grove is fascinating, as is its color transition between the upper orange and red trees and the yellow trees below.

We often photograph this and similar groves using the vertical “portrait” orientation for obvious reasons. In this case I thought that going with the wider “landscape” format might emphasize the “spreading” effect at the lower end of this grove. You might also notice that I intentionally photographed in soft light before the morning sun arrived — this light is less likely to oversaturate the colors to the point of blowing them out, and it also spreads a bit more light onto shadow details.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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River of Aspen Color

River of Aspen Color
“River of Aspen Color” — A band of colorful autumn aspen trees follows a gully down a Sierra Nevada slope.

The grove in this photograph is semi-famous. The earliest photograph of it that I’m aware of is by Galen Rowell, and just about everyone who photographs Sierra aspens has given it a shot. Timing is everything — along with a bit of weather luck — and I arrived a bit after the peak of color. (At that point there might not be any bare trunks, but some of the foreground trees would still show a bit of green.) Rather than showing the whole thing, I decided to crop a bit and let the green area at upper right intrude into the space where yellow turns to orange.

While timing is a key to getting aspen photographs, the window is often a bit wider than you may expect. We want to arrive at the perfect moment of maximum color before leaves really start to drop. But the color transition is quite photogenic both before an d after that brief moment. Before the peak a few green trees might be part of the scene, and a bit later scattered colorful leaves might poignantly interrupt a forest of nearly bare white trunks.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Oregon Sky

Oregon Sky
A still lake, a band of forest shoreline, and sky with wildfire smoke in the Cascade Lakes region of Oregon.

Oregon Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

A still lake, a band of forest shoreline, and sky with wildfire smoke in the Cascade Lakes region of Oregon.

This, I suppose, is sort of a vacation photograph — a subject “snapped” with a handheld camera while on a hike. “Not a normal vacation snap!,” you say? Well, OK. To be honest, I’m not a very reliable family vacation photographer. I have to remind myself to make those “normal” (and important!) straightforward photographs of people and activities. And, somewhat sad to say, I came back with none of those at all from my recent family camping trip in the Cascade Lakes region of Oregon.

But I did bring this back. One morning, before joining the rest of the gang for morning camp festivities, I went for a short hike along the shoreline of Lava Lake. It was a very quiet and slow morning. I don’t think I met more than a couple of other hikes and the biggest action was the passing of a couple of kayakers. The lake was still since the day’s winds and not started yet, and there was a wildfire smoke haze in the sky. In this part of Oregon, at least on this day when the smoke obscured more distant features, the open sky dominated the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Geese, Clearing Fog, Light

Geese, Clearing Fog, Light
A band of light through thinning fog falls across a flock of geese

Geese, Clearing Fog, Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A band of light through thinning fog falls across a flock of geese

I’m often surprised that many people who love the outdoors in the warmer months don’t spend more time outdoors in the winter. At least in my part of the world, the light is often much more varied and compelling this time of year — with dramatic storm clouds, mysterious fog, beams of light appearing, and more. And, in practical terms, I’d rather have to layer up to stay warm than contend with too much heat!

In addition, in much of the United States this is the season to find large flocks of migrating birds. If you only go out in the warm season… you might never see them! Fortunately I learned this lesson a few decades ago. I had lived in California for a long time, but I had no idea about the birds of the flyway until one long drive far up into Northern California in late autumn when I first saw the huge flocks in twilight sky.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.