Tag Archives: basin

Alpine Ridge, Evening

Alpine Ridge, Evening
“Alpine Ridge, Evening” — Golden hour light glances across a shattered, rocky ridge, John Muir Wilderness

There is a common notion that landscape photography is a slow and deliberate activity, that we stand in front of a static landscape and carefully work out the right composition as the landscape awaits. This can happen, but the landscape is often quite dynamic, particularly when it comes to changing light. Beams of light between clouds can move across the scene, sunset light is ephemeral, rain showers can momentarily reveal or obscure features.

I made this photograph near our campsite on a lovely late-summer evening. It was during the last half of our weeklong stay, so we were settling in. As the day ended we were all wandering about looking for photographs. As the sun dropped to the west, deep shadows began to fill the great valley in front of us and then creep up the slopes. A last beam of light fell across the near ridge, and then was gone moments after I photographed it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Alpenglow, Meadow

Alpenglow, Meadow
“Alpenglow, Meadow” — Evening alpenglow comes to high peaks beyond a flower-filled meadoow, John Muir Wilderness.

Since I was unable to get to the Sierra much this season — it is a long story — I’m revisiting the archives, where I find a lot of interesting photographs that were “left behind.” This one comes from a trip into a high backcountry region with a group of fellow photographers a few years back. We set up a basecamp in a high basin just over the crest, and spent a week photographing the heck out of the surrounding terrain.

I made this photograph of evening alpenglow on the surrounding peaks from a stunning meadow that we discovered about 10 minutes walk above our camp. The meadow was open to 360 degrees of alpine terrain, and it was filled with wildflowers, even though it was near the end of August. (One of our group members, stunned when he first saw the meadow, named it “******* Julie Andrews Meadow.” I’ll leave you to guess the missing word.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Ponderosa Pines, Mono Basin

Ponderosa Pines, Mono Basin
“Ponderosa Pines, Mono Basin” — A group of ponderosa pines on slopes leading toward Mono Lake in distant haze.

Mono Lake is a remarkable place. Lying in a relatively high, desert basin, it covers a huge area. It is so big that it is just about impossible to get a solid impression of its vast size. While you can drive past its west side and access a few spots along the north and south shores, much of it is essentially inaccessible, at least without a lot of very difficult travel. Because its level has fluctuated over time, much of the surrounding area has been submerged in the past, and the evidence of this is everywhere.

The lake itself is set in an even larger basin surrounded by mountains — the Sierra to the west and various desert ranges to the north, east, and south. I made this photograph near the base of one of those, the Mono Craters. Here an extensive ponderosa pine forest spills down from the heights and spreads across the shallower slopes of the basin, eventually fading out within sight of the lake. These trees are some of the furthest vanguards of that forest. Beyond you see the final descent the lake, the lake itself, and in the far distance the faint outlines of distant desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Rabbitbrush, Ghost Forest

Rabbitbrush, Ghost Forest
“Rabbitbrush, Ghost Forest” — Rabbibrush blooms near a ghost forest of burned ponderosa pines, Mono Basin.

On a late-September morning I headed out into country near Mono Lake, eventually turning off the two-late highway to follow a random gravel track that traced the edge of an extraordinarily large ponderosa pine forest. This area within sight of Mono Lake was burned in a forest fire years ago, and there are still lots of dead trees around the fringe of the forest. The stark beauty of the skeletal trees intrigued me, and I eventually found a place to stop and explore a bit.

This is an austere landscape. Even where the trees still grow there is a lot of space between them, likely due to the dry environment. In many places there is only sagebrush country, and in this spot the sandy soil supports even less vegetation. But it the middle of this — and against the backdrop of those dead trees — rabbitbrush plants were in full, colorful bloom.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.