Tag Archives: beams

Rocks, Spray, and Light Beams

Rocks, Spray, and Light Beams
Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

Rocks, Spray, and Light Beams. © Copyright 2021 G Dan Mitchell – all rights reserved.

Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

California’s Big Sur Coast is easily accessible to me, close enough that I can drive down there early in the morning, photograph for a few hours, and be home for a late lunch. (Yeah, I’m spoiled.) Some of my very earliest photography memories come from this part of the world, when I carried a simple camera on family trips to Point Lobos. At this point, decades later, you’d think that I’d know everything there is to know about the regions. But you’d be wrong. Virtually every time I go there I discover something new — a view I had not seen before, a new kind of atmosphere or light, a different way of looking at a familiar subject.

This photograph fits that last category. The location is a spot that I’ve stopped at for years, mostly to photograph a particular larger scene that includes a natural bridge, some sea stacks, and a bridge. (No, not _that_ bridge — I know which one you are thinking of!) On this early November visit I was a bit surprised by the size of the surf. Big surf is common in autumn through winter here, but I had not seen that it was in the forecast. To make this photograph I decided to leave out the thing that is usually my primary subject here and to include some things that I usually try to leave out! The photograph is, as a result, an example of letting some small, isolated element represent and perhaps evoke the experience of the larger landscape in which it is found.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Beneath Desert Mountains, Morning

Beneath Desert Mountains, Morning
Desert mountains and morning light spreading across an alluvial fan.

Beneath Desert Mountains, Morning. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountains and morning light spreading across an alluvial fan.

This is more or less where I had hoped to be in January, even up until a couple of months ago. At that time, careful travel into lonely places was still a reasonable option, especially since I stop only for gas and would have camped well off the beaten track, barely interacting with anyone at all. But wanting to be part of the solution rather than part of the problem, I’m following the guidelines to not travel more than 120 miles from my home, and I’m also not going to play games and try to sneak into the Death Valley backcountry… regardless of how appealing that sounds and of how badly I miss the place right now.

This photograph is one of those that illustrates the advice to look all around while making photographs. Sometimes the thing you came to see isn’t the only thing to attend to. I had come to this spot before dawn to photograph a subject that lies directly behind the camera position of this scene, and had worked on it as the scene transitioned from soft, pre-sunrise light through a somewhat colorful sunrise to light that was becoming more harsh than I desired. So I turned around. Here the backlit atmosphere glowed in the light streaming over the rugged desert hills to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning, Fog, Surf

Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Valley, Morning Sun And Clouds

The Valley, Morning Sun And Clouds
Clouds from a passing weather front break up over Yosemite Valley as sun rises above Sentinel Dome

The Valley, Morning Sun And Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds from a passing weather front break up over Yosemite Valley as sun rises above Sentinel Dome

I confess that I’m often tempted to title photographs of this subject, “Yet Another Clearing Storm.” The subject is, to say the least, done a lot! The location is accessible, the view is tremendous (even if you’ve seen it a hundred times), storms clear in dramatic fashion. Sometimes I just have to stop and photograph it. Again. This does, however, bring to mind the famous comment that one photographer offered when asked by a neophyte if he had any advice about photographing from Tunnel View: “Don’t,” he replied. Yet we do. It can be a sort of guilty pleasure, and on a number of beautiful winter evenings I’ve run into friends there.

The light on this morning was something of a surprise — given what I had seen in the first predawn light I expected gray overcast. But as I came down toward the Valley I began to see hopeful signs — a bit of a glow from the east that suggested breaks beyond the edge of the cloud shield. I arrived here just before the clouds began to open up. I almost didn’t photograph — I first walked over without my equipment thinking it might be a quick stop before moving on. But it soon began to look more and more like the light might become even more interesting, so I raced back to my car and grabbed my camera, lenses, and tripod. Soon the morning sun rose over Sentinel Dome, intermittently breaking through the clouds and sending beams of soft light across and into the Valley.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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