Tag Archives: big sur

Storm Approaches

Storm Approaches
Approaching storm, sunlight on water, clearing fog along the Big Sur coast

Storm Approaches. © Copyright 2019 G Dan Mitchell – all rights reserved.

Approaching storm, sunlight on water, clearing fog along the Big Sur coast.

While summer is the most popular time for tourists to visit California’s spectacular Big Sur coastline, I’d rather go there in the winter — which is just what I did today. This is the season of the most interesting and dynamic conditions — storms approaching and departing, big surf, clouds and mist, and the low sun reflecting on the water.

To be honest, I initially thought that I might get ahead of the next Pacific weather front, which was scheduled to arrive in the evening. The weather forecast was calling for partly sunny morning conditions, and I planned this little trip with that in mind. But as I headed south from the Carmel area it was obvious that there were plenty of clouds to the south and offshore. Here and there the clouds thinned enough to bring a bit of directional light or reflect off the surface of the Pacific, but overall the sky leaned in the “ominous” direction. I stopped briefly at this familiar spot to photograph this cliff descending steeply into the water, with a few thinning fog clouds dissipating along the ridge of the mountains extending to teh south.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Morning, Fog, Surf

Morning, Fog, Surf
Bright morning light illuminates fog along the Big Sur coast as storm surf runs up against the cliffs

Morning, Fog, Surf. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bright morning light illuminates fog along the Big Sur coast as storm surf runs up against the cliffs

The fog/mist in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. It is the waves themselves that throw up this mist, and on this day of surf up to 40 feet high, there was plenty of it.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, a good number of people making a quick trip down from the north may choose this spot as their turn-around point. I won’t mention what that iconic subject is, but I did not photograph it on this morning. Instead, I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up the sand to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight coming down across the cliff from above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer, Raging Surf

Photographer, Raging Surf
A photographer stands on headlands bluffs to photograph huge Big Sur swells

Photographer, Raging Surf. © Copyright 2018 G Dan Mitchell – all rights reserved.

A photographer stands on headlands bluffs to photograph huge Big Sur swells

On this day of gigantic Pacific Coast surf, I stopped at the first location I came to that afforded close access to the bluffs above the raging surf. I grabbed camera, one lens, and tripod and set out on one of the informal use trails between the Pacific Coast Highway and the surf, eventually finding a side trail that took me to a spectacular overlook with views to the south across the surf and into the light. (I mostly shoot “contre jour,” or into the light in these conditions, since that enhances the light on the mist and waves, among other reasons.) Soon it was time to move on, so I packed up and started back up to my car.

At the top of the trail I took one last look before packing and moving on to my next location. As I did I saw a photographer on the spine of one of the ridges running toward the sea, and noticed that he was backed by some truly astounding surf. So I quickly held up, put my tripod back up again, and made a few exposures as he stood against the background of the huge waves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Headlands And Mist

Headlands And Mist
Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Headlands and Mist. © Copyright 2018 G Dan Mitchell – all rights reserved.

Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Today I continue with photographs from my visit to the upper Big Sur coastline in the middle of December, on a day when distant Gulf of Alaska weather fronts were sending giant surf crashing against the beaches, sea stacks, and cliffs. This is perhaps my favorite set of conditions for California coastal photography — a clear, post-storm day with giant surf that raises a layer of mist along the shoreline. When I see reports of such conditions I try my best to get over there quickly!

On the drive down, even as I passed Monterey Bay I could see the effects on the water. Waves in the bay didn’t seem unusually large, but off in the distance I could see the land at the northwest end of the Monterey Peninsula where gigantic white breakers created a line against the horizon. Once I got south of Carmel and right next to the coast the picture was even clearer, and I soon stopped on a bluff to get “up close and personal” (but from a safe spot) with the show. I made this photograph a bit further south in a spot that I’ve photographed many times. Here there is a view across several rocky ribs at the water’s edge and on to a taller hill beyond — and I know this as a spot with great potential for surf and light and for raising clouds of spray and mist.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.