Tag Archives: birds

Birds, Rising Sun

Birds,Rising Sun, Fog
“Birds, Rising Sun” — Passing geese and cranes fly in front of the rising sun on a foggy morning in Central Valley wetlands.

A photograph like this isn’t always possible and is never easy. Obviously, the sun is extremely bright, and this presents some major exposure challenges. At the same time, the sides of the birds and plants facing the camera is in the darkest possible shadow, being on the opposite side of the sun. But on this morning several factors haled out. the high clouds interfered with the sun just a bit, and closer to the ground a bit of tule fog was still hanging on.

Early morning may be the most compelling time in these wetlands. (Though I’ll hear you out if you want to argue for evening.) After arriving in darkness, the sky begins to glow and the light slowly increases. Fog may mute the light and add a sense of mystery. And the birds are coming to life, warming their wings in the first sunlight and then flying out for the day’s activities.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Wetlands Birds, Dawn Fog

“Wetlands Birds, Dawn Fog” — Black-necked stilts and other wetland birds in a quiet pond as dawn fog begins to thin.

Believe it or not, I still have more photographs from our three days of photography around New Year’s Day. To recap, a group of friends and fellow photographers assembled before dawn to greet the first sunrise of the new year. We spent the rest of the day sharing food and good times and photographing this landscape and its wildlife.

The photograph was made quite early, well before the fog began to clear. This is shallow tule fog, which can be dense enough to hamper driving, but shallow enough that you can look up and see the sky directly overhead. The fog glowed with the colors of the overhead sunrise sky as a few black-necked stilts went about their morning business in the pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Islands, Clearing Fog

“Islands, Clearing Fog” — Morning sun on reed-covered islands and wetland pond.

Sometimes landscape photography is slow and contemplative — the landscape stands almost still and there is time to pause and consider. But sometimes the landscape changes as quickly as any other subject, and transient conditions only last a moment. This was one of the latter moments. Thick tule fog had blanketed my position, but it quickly cleared above this pond, and brilliant light struck the little grass-covered islands.

Fog can fundamentally alter a landscape. Sometimes it simply mutes more distant subjects and allows foreground elements to stand out. It can also lend a sense of quiet mystery to otherwise mundane scenes. It may just sit there, changing little for long periods of time. And then, suddenly, the sunlight begins to break through and all kinds of beautiful effects of light may appear.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Migratory Geese, Wetlands

“Migratory Geese, Wetlands”  Migratory geese (likely snow, Ross’s, and white-fronted) in Central California wetlands.

Our little band of photographers gathered once again on New Year’s Day to greet the new year together and photograph migratory birds and the often-foggy Central Valley landscape. This photograph holds what I think of as the main elements of this winter landscape: birds, a bit of fog, sky, trees, and grasses. (OK, cattle and crops are part of the scene, but not in this photograph.)

There are various natural cycles to observe when photographing these birds. The most obvious is annual — they return from the arctic every autumn and around the start of spring. There’s a cycle during that period, too. At first they are often harder to find, settling into remote areas of the valley and being more uneasy around humans. As the season goes on they seem to be a bit easier to locate as they collect in gigantic flocks, and the become extremely active in the final month before their departure for points north.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.