Tag Archives: black and white

Man at the Corner

Man at the Corner
“Man at the Corner” — A worker leans against a wall on a Le Marais corner.

Sticking with the Paris street photography theme a bit longer (perhaps quite a bit longer?), here is another photograph from Le Marais. Like several of the other recently-shared photographs, I made this one within a few moments of my “Je Suis Bleu” photograph featuring three women and a fascinating poster-covered wall. Initially that photograph was so central in my experience that day that I overlooked others made right before and after it. Writing an article about that photograph lured me back to the other raw files, and I ended up “discovering” several other interesting images.

This fellow figures in several of the exposures I made. There’s another where he is in the middle of a street, part of a larger group of pedestrians that is fronted by an “in your face” image of a walking woman. (You may see that one, too, before long.) Here he appears alone, just around the corner from the location of the “Je Suis Bleu” photograph. Viewers with sharp eyes may recognize the chalk head on the wall at far left.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Ferris Wheel, Clouds

Ferris Wheel, Clouds
A ferris wheel silhouetted against a sky full of puffy clouds, Paris.

Ferris Wheel, Clouds. © Copyright 2022 G Dan Mitchell.

A ferris wheel silhouetted against a sky full of puffy clouds, Paris.

Back in 2016 as we strolled through the park next to the Louvre in Paris, this large Ferris wheel beckoned above a pool at the far end. It was a beautiful, wam day, and we weren’t really in any hurry to get anywhere, and the scattered clouds broke up the summer light.

I made several photographs of this feature — the Ferris wheel itself and the pool at its base, with people wading in the water and relaxing around it. For such a striking sort of feature, I find these structures to be difficult to photograph. (The night photographs are often the most effective.) I went with monochrome here to emphasize the silhouette of the steel structure against the cloud-studded sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Strolling, Le Marais

Strolling, Le Marais
A couple strolls along a narrow Le Marais street, Paris.

Strolling, Le Marais. © Copyright 2022 G Dan Mitchell.

A couple strolls along a narrow Le Marais street, Paris.

This photograph comes from a 2016 visit to Paris… and a few other interesting European places. This narrow street is characteristic of this part of Paris, an area where some of the oldest original buildings and streets are still found.

This is also, in my opinion, one of the more interesting areas to photograph. As is the case with many gentrifying areas in big cities, lots of different populations come together here — tourists, members of more privileged classes, folks who may have lived here before it became trendy, various other folks passing through. The streets and the architecture are also fascinating, from the narrow and car-free lanes to the very old buildings and the interesting examples of street art.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Badlands Gully

Badlands Gully
A deeply forrowed and eroded badlands gully, Death Valley National Park.

Badlands Gully. © Copyright 2022 G Dan Mitchell.

A deeply forrowed and eroded badlands gully, Death Valley National Park.

This scene may look familiar — I shared a vertical-orientation photograph of the same subject a few weeks ago. Often a subject strongly suggests either the vertical “portrait” orientation or the horizontal “landscape” arrangement. But sometimes a subject can work either way, albeit with different effects. Here I feel that the vertical interpretation more strongly followed the upward trajectory of the central gully, but that this version embeds it more firmly in the converging diagonal lines on the sides and emphasizes its curve.

This is not a major Death Valley feature. If you went to the location where I made the photograph you might not notice it. The gully is relatively small and high on a hillside, so I used a long focal length to frame it tightly. (I’m a big fan of long focal lengths for landscape photography.) It was early enough that the light was not yet intense and stark, and a bit of high cloudiness softened it a bit more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.