Tag Archives: black and white

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Alkali Flats and Dunes, Morning

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Alkali Flats and Dunes, Morning
A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Alkali Flats and Dunes, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Perhaps this scene looks a bit familiar? It is the same subject as in another black and white photograph that I shared recently, though this time composed a bit differently to fit the portrait orientation and include the curving alkali flats in the foreground. I often photograph such a subject in more than one way. At a minimum I’ll try to find a portrait and a landscape mode version of the scene if possible. In the landscape version of this scene I omitted most of the lighter foreground material, but by using portrait mode here I was able to use the leading curve in the foreground.

These old alkali formations among the dunes fascinate me. So far I have not found too much information about them, though it seems that they are layers of material that must have been created from silt that was once liquid and which dried and cracked. In places the formations are thick and quite solid, but in others they are incredibly thin and fragile. (I may walk on the thicker formations occasionally, but I always try to detour around the thinner ones so as to avoid damaging them.) Unlike other playa surfaces, these are often also shaped by the forces of wind-blown sand.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Creosote and Dunes

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Creosote and Dunes
A clump of creosote among the sand dunes in morning light, Death Valley National Park.

Creosote and Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A clump of creosote among the sand dunes in morning light, Death Valley National Park.

Perhaps surprisingly, that bit of dry surface in the foreground is what initially attracted me to this intimate landscape scene among the sand dunes. These surfaces are found in many places around and between the dunes, and at first their relationship to water is surprising in such a place. Some of the forms look much like what we find on desert playas, but in other places they are quite fragile and appear to have been smoothed and sculpted by wind-borne sand. (I try to avoid walking on them unless they are the more durable playa-type of formations.)

I had just photographed a closer subject, some dead creosote bushes, when I saw this larger and thriving specimen positioned among some beautifully curving dunes and casting a shadow onto them. It was a tricky exposure — the backlit “sky” (which is actually glowing haze in front of distant mountains) was extremely bright, while the shadows were quite dark. This was definitely a case of exposing to capture image data with the intention of using the post-processing stage to bring things back to something closer to what I saw.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Urban/Street

Oh See!

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Oh See!
An old business sign in San Jose, California.

Oh See!. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old business sign in San Jose, California.

This is not the first time I have shared a photograph of this sign. In fact, in the past I shared a color version of essentially the same photograph, one in a series that I quickly “snapped” while on a long urban walk. The sign is almost iconic in this part of the world.

You could regard this photograph in any of several ways. On one level, it is a sort of record shot that captures a specific instance of a certain rapidly-fading sort of commercial sign, a one-of-a-kind bit of commercial graphics that seems to be fading from this increasingly urbanized area. I think it is also an example of seeing beyond the literal nature of the thing. When I look at it, what I find most interesting is the relationships between the painted letters and the shadow versions created by the sun shining on the old neon lamps.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Stream and Peak

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Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.