Tag Archives: black and white

Dunes, Sand Storm

Dunes, Sand Storm
A sand storm sweeps across layered dunes

Dunes, Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

A sand storm sweeps across layered dunes.

Here I decided to offer a somewhat more subjective view of a sand dunes scene, photographed late in the day during a period of high winds and a sand storm. If you see this as a calm scene… imaging gale winds blowing across from left to right, carrying large volumes of airborne sand, and the distant views obscured by these clouds filling the atmosphere. It was a wild scene, and I was only able to photograph it for a short period of time.

I have long been intrigued by the question of what is “real” in photographs. Not only is the presentation of an objectively accurate rendering of the subject rarely the highest goal of a photograph, but it is virtually impossible for a photograph to do so. (I like to say, “All photographs lie.”) Some look to classic photography to support their belief that photographs must aspire to “realism”. However, if any mode of photography is amenable to subjective license, it is black and white photography! The ability to produce an expressively subjective image in black and white may be unsurpassed. In this photograph I “went there,” with an interpretation that aspires not to reproduce objective reality but one that hopes to evoke subjective truth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Receding Dunes

Receding Dunes
A subjective interpretation of a scene of receding sand dunes.

Receding Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

A subjective interpretation of a scene of receding sand dunes.

Sand dunes are a compelling subject for just about every photographer I know, and almost certainly for every photographer who has visited them. They are a virtual laboratory of forms and textures and the interplay of light and shadow. While their colors can be quite subtle, the daily cycles of light write a continuous cycle of change on them between the morning and evening twilight hours. And they are adaptable to a wide range of interpretations — ostensibly “realistic” views, views that emphasize the naturally occurring (and sometimes not so naturally occurring!) colors, effects of wind, and the freedom of monochromatic interpretations.

One evening we decided to visit the dunes, and we planned to investigate a location I had spotted from a morning shoot — an area where a playa led to the edge of low dunes that built up one after another toward the center of the dunes. By the time we arrived I was becoming concerned that I might not be where I wanted to be during the best evening light, so I high-tailed it across the playa without stopping, heading straight for the area where I made this photograph. What appealed to me about the location was primarily this stair-step arrangement of gradually higher dunes, but also the fact that it was backed by distant back-lit mountains rather than by sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Photographers, Dunes And Mountains

Three Photographers, Dunes And Mountains
Three photographers working the morning light atop a sand dune ridge, with desert mountains byond.

Three Photographers, Dunes And Mountains. © Copyright 2019 G Dan Mitchell – all rights reserved.

Three photographers working the morning light atop a sand dune ridge, with desert mountains byond.

Five of us went out together to photograph in the dunes on this morning. It was only after I arrived in Death Valley that I discovered that a group of photographers and friends was down from the Yosemite area and camped nearby. We made a loose plan to meet up the next morning before sunrise and head out into the darkness early enough to be well into the dunes before the first good light arrived.

We made it out there and went to work, photographing in the predawn light, then as the sun came up, and continuing until the light began to lose its early hour magic. One fun thing about photographing with other photographers is that when things slow down a bit… we sometimes make photographs of one another! A side benefit of this is that almost all of us have in our collections photographs of some pretty interesting and talented people, and a second benefit is that sometimes they share photographs they made of us. Here my three friends are set up on the spine of a dune, working the early morning light against a backdrop of tall desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pacific Vortex

Pacific Vortex
Cloud patterns above California’s Pacific coastline

Pacific Vortex. © Copyright 2019 G Dan Mitchell – all rights reserved.

Cloud patterns above California’s Pacific coastline.

Almost every time I photograph in this location at some point I turn my camera towards these sky and ocean-scapes that are almost abstract in form. While this photograph was made along the Big Sur Coastline of California, from beside the famous US Highway One, given the lack of definite landmarks it could be almost anywhere that ocean and sky meet.

The light and atmosphere were both fascinating and difficult on this visit. A Pacific winter weather system was approaching, and this can do all sorts of things to the atmosphere. In this case a cloud shield was forming overhead, thick enough to darken the landscape but still allowing some directional light. Below there was a lot of moisture in the air, with dissipating fog banks along coastal hills and offshore haze blurring the line of the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.