Tag Archives: black and white

Rock-Covered Hill, Desert Haze

Rock-Covered Hill, Desert Haze
A small hill covered with rocks, the salt flats, and distant mountains, Death Valley National Park

Rock-Covered Hill, Desert Haze. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small hill covered with rocks, the salt flats, and distant mountains, Death Valley National Park

I distinctly recall my somewhat unusual first view of Death Valley. It was perhaps about twenty years ago. My oldest son was in a school “hiking and biking” club, and their annual “Big Trip” was to be an adventure in Death Valley involving hiking, backpacking, and more. Most of the group traveled to the park on a small bus, though I joined a group of parent chaperones and the club adviser/teacher in an old Chevy Suburban, highly modified and loaded down with backpacks and other gear for more than thirty people. We drove all day and entered the park after sunset. Because it was late we stopped at the first available camp ground, the Emigrant campground along highway 190 partway down the route below Towne Pass. We set up camp in complete darkness, unaware of our surroundings, in a landscape that I had never before seen.

Early in the morning, perhaps shortly after dawn, I crawled out of my tent and in this light saw the immense light-filled space of this great Valley for the first time, a view that extended down the gigantic fan on which we were camped, the distant valley floor thousands of feet below, and the rugged mountains on the far side of the valley. I had never seen a raw landscape like this before, with no visible plant life and its geology laid bare — a place of rock, sand, haze, juxtaposed shapes, textures, often-subtle colors, and huge distances. There is, I think, a bit of that in this photograph, which includes a dark, rocky hill that I have looked at many times, its ridge sloping the opposite direction from the distant dark hills across the valley, barely visible through the opaque atmosphere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Death Valley From The Panamint Range

Death Valley From The Panamint Range
Looking down from the ridge of the Panamint Range toward Death Valley

Death Valley From The Panamint Range. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking down from the ridge of the Panamint Range toward Death Valley

I have paused near this spot many times while traveling in the Panamint Mountains of Death Valley, sometimes thinking about making a photograph but never quite seeing it. It probably hasn’t helped that I’ve typically been on my way to another location as I passed by, and I didn’t really want to linger here too long while the light was waiting for me at my destination. In fact, on my outward journey I more or less passed right by this time, too. I went on to my destination, spent time there making photographs of a subject that I had in mind, took time to fix breakfast “on the road,” and then turned back.

By the time I passed by this spot again on the return trip it was well past the typical photography hours in Death Valley, where the light can become quite harsh and washed out closer to the middle of the day. But this time that seemed to almost work to my advantage, especially since a bit to thin high cloudiness muted the light just a bit, and the distant haze in the Valley helped produce a near-far distance effect. So I stopped, in a spot close to by not exactly where I had previous thought about photographing, noticed that the hills at the close edge of the Valley were just visible through the slot between the converging slopes on either side of the gully, and made a photograph which I anticipated would become a monochrome image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cucina Torcicoda

Cucina Torcicoda
Looking through the doors into the nighttime kitchen action at Cucina Torcicoda, Florence, Italy

Cucina Torcicoda. Florence/Firenze, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Looking through the doors into the nighttime kitchen action at Cucina Torcicoda, Florence, Italy

This is another photograph from the end of our five weeks of travel during the summer of 2016. We began in New York, then went to London, Paris, Heidelberg, and Italy, staying for roughly a week in each place before moving on. This gave me plenty of time for all of the things I like to do in such places: walking, eating, visiting museums, hanging out, and photographing. The trip ended with a short stay in Florence. We had been more or less midway between Florence and Siena for about a week and we planned to fly out of Florence to start our homeward journey, so we went ahead and arranged to stay there a few days before departing.

I’ve written before that if I have one regret from this trip it is that we had so little time in Florence! On this final night we went out wandering and photographing. Passing the doors to the kitchen of this restaurant I was struck by the contrast between the quiet, dark, and symmetrical appearance of the entrance and the energy and action inside the kitchen.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Flag Makers

Flag Makers
A complex landscape of steps, columns, braces, windows, reflections, and buildings

Flag Makers. San Francisco, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A complex landscape of steps, columns, braces, windows, reflections, and buildings

I made this photograph near the new, lower level entrance to the remodeled San Francisco Museum of Modern Art (MOMA) during a visit around the start of the new year. The old entrance to the museum has now been augmented by a new entrance that leads into the newly added wing. A large installation fills the space on the very lowest level, and large windows open from there to the surrounding buildings and a stairway leading to the entrance one floor higher.

I love photographing in museums — for the architectural spaces and the people — and I photograph inside and around MOMA every time I visit. Some subjects are immediately obvious but other take a bit longer to figure out. This open area on the lower level is, for me, in the latter category. It immediately felt like a place to make photographs, but it has taken quite a few visits to begin to reveal its potential. This photograph is more or less a study of the many layers and angles found within and outside of this space, including layers of time between the very new museum and the very old brick wall just beyond the stairs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.